Preaching Well

Last week, I talked about being "preachy" in fiction and why it's maybe not as bad as people think it is. In particular, there are lots of examples of fiction that are not only super popular but arguably so because of their message.

So, the problem is not messaging in fiction. Fiction is messaging, and (whether you are aware of it or not) all fiction is political. People generally don't have a problem with preaching in fiction unless the message is something they disagree with.

Like I've said before, you aren't writing for those people.

But you do want your message to be written well and received well by those who are open to it. Here are a few tips to help with that:

1) Portray All Sides with Empathy

A common problem in fiction is when one group of people are portrayed as intelligent and sympathetic while another comes across as cardboard cut-out villains.

Religion is a common victim of this. The atheist and non-Christian analogues in Chronicles of Narnia—the folks who don't believe Aslan is real or who work against him—are often insufferable. Edmund and Eustace, for example, are simply the worst characters (until they believe).

Secular sci-fi isn't much better. I've lost track of how many stories I've read in which the protagonists are open-minded and intelligent while the villains are pompous religious jerks.

Even if you don't agree with a character's point of view, they do. Nobody thinks of themselves as evil, and as the author, it is your job to figure out why not and portray that sympathetically.

2) Leave Your Message Open-Ended

When you think of your story's theme or message, is it a moral to be prescribed or a question to be explored? Life is nuance and uncertainty, but if your story has easy answers, it can ring false. Exploring that uncertainty, however, is what makes good fiction great.

Take the X-Men. These stories explore themes of racial discrimination, and while there is a repeated moral (e.g., accept those different from you), there are also always difficult questions raised. The conflict between Professor X and Magneto is a prime example. Magneto believes that mutants are the next step in human evolution and should rule the world. Professor X, on the other hand, believes humans and mutants can co-exist as equals. The latter is obviously the stories' message, since Professor X is the "good guy," but he is frequently faced with challenges that throw that message into question. Can humans and mutants ever truly get along?

Their struggle is never-ending, and that's the point of phrasing your message as a question. The struggles we face are open-ended. If you paint your message as black and white, it will feel false to anyone who—like Magneto—has seen that the world isn't so amenable to pat answers.

3) Let the Reader Come to Their Own Conclusions

If you've ever tried to change someone's belief, you know it's practically impossible. A person can't be told what is true and simply believe it, not even if they are presented with irrefutable evidence. They will refute it! However, people can and do change their own beliefs by coming to their own conclusions over time.

Don't tell the reader what to think or believe, but show them different viewpoints. Explore different answers to very difficult questions. And then... do nothing. Let them think for themselves.

It's the most frustrating and rewarding part of being an author (or a parent, or a teacher, or a therapist, or...). As my mom tried to teach me my whole life, you have to let them be wrong.

The Bottom Line is Empathy

The gift of fiction—and a requirement to create it—is to be able to put ourselves in someone else's shoes, to see the world from another's perspective. Reading increases empathy. A reader without empathy will bounce of most stories altogether, and a writer who lacks it will struggle to connect with any reader unlike themselves.

So, say what you want to say. Explore difficult questions and even present your own answers through your characters. But be fair. Be open-minded. Be empathic.

You'll be surprised how many more people you can impact.

On "Preachy" Fiction

I think I learned a bad lesson when I was a brand new writer—or maybe it was a good lesson that I just took too far. The lesson was this: Don't use fiction to preach.

What people generally mean by that is they don't want authors to write fiction with the express goal of teaching a lesson. They want a good story. They don't want to be moralized to.

Or so they say... 

But when the lesson is something the reader doesn't notice, it's not considered preachy at all. X-Men stories, for example, are hella preachy, but many fans either don't connect the themes of mutant discrimination to the real world or else identify with those themes in less controversial ways (e.g., some fans interpret X-Men's themes as discrimination against "misfits" or "outsiders," rather than racial prejudice).

And when the lesson is something the reader wants to hear, the audience often loves it! For example, the Chronicles of Narnia are a straight-up Christian allegory, beloved by Christians of all flavors. Andor is widely considered one of the best-written Star Wars stories to date, partially for being a straight-up anti-fascist manifesto.

It seems like it's not that people don't want messages in their fiction. It's that they don't want to be aware of messages they don't like. (You know, just like in real life.)

I started this post saying I learned a bad lesson. See, I spent a lot of my writing career trying to "say something without saying something"—trying to be subtle with my messages, trying not to piss anyone off or be accused of heavy-handed preaching. I ended up writing "fun" fiction but not necessarily the meaningful fiction I wanted to write.

My stories are fine, of course. Good, even. I've been published a few times. People have found meaning in my stories, and I'm thankful for that. Heck, I even have fans of stories that have never been published. But I was scared.

And I don't want to be.

And I don't need to be.

So, this is my encouragement to you: Write what you want to say. There will always be people who don't like what that is, and that's okay. You're not writing for them.

Will leaning into your message get you published and famous? Not by itself, no. It might even work against you at first as you figure out how to do it well. But it means that when someone does read your work, they are at least reading something that you want to say—and what you want to say matters.

So you do you, friends. Go ahead and...

Low on Creative Energy?

Sometimes, you're just doing so much creative stuff in a day or a week (or more!) that you don't have the creative resources you need to write something you might never be paid for.

And that's okay. Give yourself permission to not write for a bit...

...or to write something very short.