How to Start a Novel

There are lots of great tips out there for how to start a novel. You've probably heard some of these:

• Start in the middle of the plot (in medias res)
• Start with exciting action
• Start with a compelling mystery
• Start with an intriguing first line

These are all great ideas. They're not even mutually exclusive! But I bet you can think of stories that started with these things and were still... kinda dull? Or maybe you can't, because you stopped reading them. I know I have. And some of my favorite stories don't do any of these things!

Here's the thing about writing: There are no rules. You can start the novel however you damn well want—even with fifteen pages of world-building about Hobbits. If the reader is still enjoying themselves, nothing else matters.

The tips above come from stories that did these things and worked, or else stories that didn't do these things and that people felt were boring, but...

They're good ideas, but they can fail you if you don't understand why they work. For example...

Starting in medias res is cool because it skips boring exposition, but it can fail if the reader doesn't understand the current action or why it's happening. They'll feel lost and confused.

Starting with action is fun and exciting! But that excitement can feel bland if the reader doesn't understand the reasons for any of it. They'll get bored quickly.

Starting with a mystery is cool and intriguing. ("Where am I? Who am I?") But it can fall flat if the mystery feels forced ("Oh right, I slept over at my friend's house last night.") or if the mystery is only maintained because details are deliberately held from the reader (like a novel that refuses to name the protagonist for several pages just to be clever). The reader may feel tricked or patronized.

Intriguing first lines are basically always cool but only if you pay out on them. It could feel pretty disappointing to read "It was the best of times, it was the worst of times... and then the murders began." only to find out that the "murders" are just gathering crows or something.

But if you'll look carefully, each of the above tips can fail in the same way: An opening doesn't work if the reader doesn't understand what's going on.

It's not enough to start a novel with the protagonist running for her life through a dark forest. We need to know why they're running? From whom? What happens if they get caught?

Within a page or two, the reader can ideally answer these questions:

• Who is there?
• What do they want?
• Why do they want it?
• What happens if they don't get it?

If an opening has those things, it won't matter whether the novel starts with a literal explosion or inside a quiet coffee house. Either way, you'll have an invested reader.

Characters We Care About: Goals and Motivation

Probably the most important thing a story can do is make the reader care about its characters. There are a number of factors in what makes us care about someone, but today we're going to talk about one of the most important ones: your protagonist's goals and motivations.

1. What does the character want?
2. Why does the character want it?

Readers want to root for your characters, but to do so, they have to know what they're rooting for and why. If you give them that, they'll love your characters forever.

What Does the Character Want?

If the reader doesn't know what a character wants, then very little that character does matters. They're just walking around doing stuff. Think of the beginning of A New Hope. There's a bunch of action, a bunch of people getting shot and dying, a big scary dude in a cape and mask walking onto the ship. The opening crawl covers some basic info, but it's difficult to care* until C-3P0 says, "We'll be destroyed for sure" and "There'll be no escape for the princess this time."

He cares about someone. She's in danger.

So we start to care.

The reader doesn't need this information right away, but the sooner the better. You've only got a few pages to grab most readers, and the first step in doing that is giving the reader something to root for.

*Because infodumps rarely work.

Why Does the Character Want It?

Watch any reality competition or any sports on TV. One of the main things they ask the competitors is, "Why is this win important to you?"

The competitors we care most about are those with the most compelling reasons: "I'm doing it for the folks back home." "This is my chance at a better life." "Everyone said I couldn't do it. I have to prove to myself that I can."

Compelling motivation makes for good television and great storytelling. For example:

• Harry Potter wants to succeed at Hogwarts. If he doesn't, he goes back to his awful life with the Dursley's.
• Luke Skywalker wants to find out what R2-D2's hidden message means. If he does, he'll be able to answer questions he's long held about his father and Ben Kenobi and ultimately himself.
• Katniss Everdeen doesn't just want to win the Hunger Games so she can survive. She wants to get back to her family so they can survive as well.
• Zuko wants to find the avatar, not just to restore his honor but to be allowed to return home and to prove he's worthy to be his father's son.*

*Think about it. When did you start caring about Zuko? For me, it was the episode "The Storm" when his uncle told his men why Zuko was so driven that he hurt the people around him.

It was when we learned his motivation. 

Motivations are sometimes framed as stakes, but the idea is the same. Your protagonist wants to achieve something, and they need a compelling reason to achieve it—one that the reader can stand up and cheer for.

It's one of those things that's not hard and it is at the same time. For those of us who tend to focus on world-building and plot, we can get lost in "what needs to happen" and forget about why it needs to happen. But that "why" is paramount.

Because if you can get the reader to root for your characters, then you will have found something every writer hopes to find: a fan.

On the Importance of Democracy

One of my kids told me they didn't really think they were gonna vote when they turned 18, and I felt like I failed as a father. I know that's a common feeling (am I right, fathers?), but it drove me to action. I don't want to fail them, and I don't want to fail you, so you get to be my temporary children for the next few minutes.

You gotta vote.

I don't mean that in a burdensome obligation kind of way, but in a "Hey, it's actually pretty cool we live in a time and place where our opinion has meaning!" kind of way.

It's a safe bet that you have lived your whole life in a democracy. I know I have. Because of that, it's easy to take it for granted that (1) we can always vote (that's what all countries do, right?) and (2) our vote doesn't feel like it does anything.

But here's the thing. If you live in a country without a democracy (or with a fake/failed democracy, like say Russia), your opinion is worthless—sometimes even dangerous. The people in charge of your country/state/city/school are chosen by other people for reasons you don't even get to know about. The law is whatever those leaders say it is. And there's nothing you can do to change it short of some sort of rebellion, which are notoriously difficult to organize and bad for the health of everyone involved (historically speaking).

Voting's easy though. Among other things, the organizing has been done for you, and most laws ensure a minimum of bloodshed. Most importantly, your voice matters.

Yeah, your voice doesn't make change alone—it's the collective voice of thousands or millions of people—but your voice is part of those millions. Change happens when we speak together.

Despite popular opinion, there are electable representatives who care about people and who will fight for change that serves all people. These candidates aren't always available at the highest levels of government, but guess what! The highest levels of government are not the ones that matter the most!

Sure, it'd be nice if the federal government finally ended Daylight Savings Time, raised the minimum wage, or did literally anything about 70% of the world's mass shootings. But state and local governments can and do make those kinds of changes all the time, and your vote carries orders of magnitude more weight in those elections. And when enough cities and states make a successful change, the federal government eventually just goes along with it.

And while you're there, vote for the highest levels of government too. It's just one extra dot.

Voting isn't the end-all fix to the world—nothing is. But so long as we live in a place where it's an option, voting is one of the easiest, most important ways to help.

I know there's a lot going on in the world right now. Hope is a hard thing to maintain, but hope is absolutely vital to life, liberty, and the pursuit of happiness.

Voting itself is a kind of hope, and you know what they say....