Setting Up Character Growth

— April 28, 2025 (2 comments)

Writing a compelling story requires a lot of ingredients. One key ingredient is the character arc.

Compelling characters—especially protagonists—usually grow and change over the course of the story. They learn something about the world or themselves, and this knowledge changes the way they live their life. This is, of course, talking about a traditionally Western style of story, but if you're publishing in the Western market, you'll want to know this.

Character growth is compelling because we want to believe that people can grow and change—we want that for ourselves. It's compelling because the character has a dream and strives to achieve it despite all odds, and we love that. That's the kind of character we can root for and identify with.

What if you designed the character and obstacles in your story such that they are diametrically opposed? A pacifist must defeat a murderous dictator. A rebellious loner must trust others in order to stop a great danger. A nervous homebody must overcome their fear to rescue someone they love. The character is ill-equipped to face the obstacles in their way, and the only way to achieve their goal is to grow.


It's a compelling arc, which is why you see it everywhere in fiction. It might look like this:

  1. A character believes something that has served them well their whole life. Neo believes he is nobody special. Shrek believes he's unworthy of love. Hiccup believes he is a bad Viking.
  2. The character wants something that cannot be achieved with their old beliefs. Neo wants to understand the Matrix, but he must become special to survive. Shrek wants Lord Farquad to leave him alone, but he must rescue a princess to do it. Hiccup wants his father to accept him, but he has to be a good Viking to do it.
  3. There comes a crisis point where the character tries to solve the problem the old way, and it fails them. Neo's mentor is going to die, so Neo tries to fight using what he knows. Shrek realizes he loves the princess. Hiccup is torn between pleasing his father and protecting his dragon Toothless.
  4. At their lowest point, the character must learn something new. Neo nearly dies, until he sees the Matrix for what it really is. Shrek decides to risk everything for his love. Hiccup decides to be the kind of Viking he wants to be.
  5. The story's climax shows the character stepping into this new way of being. Neo defeats the Agents. Shrek and his friends stand up to Lord Farquad. Hiccup and Toothless rescue Hiccup's father.
The character at the end is different than they were at the beginning. If the character-at-the-end had faced the same inciting incident, maybe the story would never have happened! That's true growth.

Of course, this is just one way to draw a compelling character arc. It's effective, but it's not a formula—merely a framework that you can customize for your story. Experiment. Try new things, and see what works for you.

And then do that.

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2 comments:

  1. Great summary. I just tried it for a fav movie, Edge of Tomorrow:
    1. The Tom Cruise character believes he's not cut out for war - he's a publicist.
    2. He wants to survive the battle and knows he can't.
    3. He tries to smooth talk his way out of going into battle, gets arrested by the MPs, and is branded a deserter.
    4. He meets Emily Blunt, begins training, and becomes a kick-ass warrior, mentally and physically.
    5. He goes into battle, saves the ones who made fun of him earlier, and ultimately sacrifices himself to defeat the entire alien force.
    I'm curious what happens in non-Western stories if they don't have this kind of arc.

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    1. Nice! As for non-Western stories, I don't yet know a lot about the frameworks they tend to pull from. I think slice-of-life stories might fall under this category as an example.

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