Sample Edits

— August 19, 2024 (2 comments)

Finding an editor for your work can be really hard. "How do I know whom to trust? What if they don't understand my work and what I'm trying to do? Do I really want to pay so much money for someone to judge my soul?"

I can't answer that last question for you, but I can help with the rest. Here are a few things to hopefully make the decision of whether to hire me less scary:

Services and rates are clearly listed. You don't have to contact me for a quote or do any guesswork. Just look at my rates, do your own calculations and comparisons, and decide if it's worth the judging of your human soul.

I offer a free sample edit. This is the best way to see whether you click with my work (or I click with yours). I'll edit your first 1,000 words for free, and you can see whether my edit sparks joy (professionally speaking). All you have to do is reach out.


And what if you don't want to reach out just yet? What if you want to know what an edit from me looks like without risking your soul? Well, I got you. Below, you can see what one of my edits looks like: a sample edit on 1,000 words of a novel (used with the author's permission).

First is an example of my Deep Edit service, where I provide developmental editing and line editing in the same package. (Alternatively, you can hire me for just a Developmental Edit [in-depth comments on how you can improve your text at a macro level] or a Line Edit [tracked changes and comments to improve your text at the sentence and paragraph level].)

Here is a quick screenshot of the sample edit, and you can view the entire Deep Edit here.


Second is an example editorial letter, which comes with most of my services. This letter provides an overview of the strengths and weaknesses of your work. My editorial letters are fairly detailed (even on short documents like this sample). If you want fast, cheap, but good feedback, you can even get the editorial letter by itself as one of my services.

Here is a quick screenshot of the sample edit, and you can view the entire editorial letter here.


I hope that providing these samples can help ease your mind as you look for someone to edit your work, whether it's me, someone else, or no one at all. Only you can decide what will best serve you and your goals, and if you think that might be me, e-mail me at adamheine@gmail.com to get started.

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Using Dialogue Tags (or "He Said She Said")

— August 12, 2024 (3 comments)


A very common issue I come across while editing is overuse of "fancy" dialogue tags like these:

He exclaimed

She cried out

They pleaded

He growled

She retorted

They taunted

These dialogue tags all have one thing in common: they stick out.

Does that make them super bad? Of course not! Used once in a while, these dialogue tags can punctuate an emotional moment very effectively. They become an issue, however, when they are overused.

Usually, the reason they get overused is when writers follow the otherwise excellent advice to avoid repetition. If you say your protagonist has "hair as black as the dark behind the stars," that's pretty cool! But it loses its impact the second time you say it, and by the third and fourth time, many readers will be bored or annoyed.

Fancy dialogue tags are the same. Even if you manage to use a different one with each dialogue (no easy feat), readers will notice—and start to become annoyed—when you use them every single time a character speaks.

So, you don't want to repeat words, but you also don't want to use fancy dialogue tags. What can you do? Fortunately, there's a loophole:

"Said" is invisible.

           ("Replied" and "asked" are mostly invisible too.)

It sounds like magic, but it's true. These tags are so common that most readers learn early on to ignore them. They don't even realize they're doing it! It's the same way we don't notice the repetition of words like "the" or "and." They're utility words that serve their purpose and are quickly ignored.

I mean, yes, the reader will notice it if you tag every single spoken line with "said" (more on that in a future post), but you can get away with far more saids than any other dialogue tag without your reader even batting an eye.

And you can save the fancy tags for the most specialist special moments so they can do their work.

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How to Approach Writer's Block

— August 05, 2024 (3 comments)

I wrote about writer's block way back in the beforebeforetimes, but wouldn't you know I actually learned new things in the fourteen years since? Not just about writing but also about myself.

In this post, I'm going to talk about some common causes of writer's block and what you can do about it.

But first, let's define terms.

What is writer's block?

Writer's block is when you are trying to write but can't.

Maybe you're staring at a blinking cursor and waiting for words that won't come. Maybe you're writing and deleting the same sentence over and over and over again. Or maybe you're scrolling Instagram or washing dishes or doing something else that, sure, maybe you want to do, but it's not what you're supposed be doing right now.

Writer's block can look like a lot of different things, but it often has common causes. The solutions below might not be easy (if they were, you wouldn't need this post!), but hopefully they can help you trust your process. And trusting yourself is the real way out.

So, what's the reason for your block? I know of three big ones:

  1. You don't know what happens next.
  2. You're afraid that what you write won't be good enough.
  3. There is a legit physical or mental reason you can't write.
Let's take a quick look at each of these.

Reason #1: You don't know what happens next

You might think you do. You might know what happens two or three scenes—or even just two or three paragraphs—from now, but you don't know how to get from here to there. Or maybe you wrote yourself into a corner and you literally don't know where to go from here.

First off, know that this is perfectly normal. We've all heard of authors who sit down to write and the words come flowing out of them, but that's far from typical. (I'm not even sure it exists.) Every writer I know has had to, at some point, stop and figure out what happens next.

SOLUTION: Brainstorm. What this looks like depends on your story and your process, but here are some of the things I do:

  • Make a list of whatever ideas pop into my head. I don't judge them. I just add them to the list.
  • Outline the next chapter/scene/paragraph.
  • Take a long walk or a shower or something similar. Let my mind wander.
  • Imagine my story is a D&D game and my characters are the players. What crazy things would my players try next?
  • Write down what each character in the scene wants. Sometimes I discover that I don't actually know!
What works one time might not work the next, so try different things and see what sticks.

But what if you do know what happens next? What if you just don't know how to write it?

Reason #2: You're afraid that what you write won't be good enough

Sometimes, you can't think of the right words. Or maybe you can't stop thinking how hard this will be to revise later. Or maybe you're worried that the story isn't what you hoped or is a waste of time to begin with.

Again, these are perfectly normal things to feel. Even the most experienced authors struggle with these feelings (while writing books that later become bestsellers). They'll often tell you the same things.

SOLUTION: Give yourself permission to write garbage. Because there are two important truths to remember here:
  1. You cannot be objective about what is good or bad while you're writing it.
  2. Anything you write can be made better later. Anything.
Turn off the internet and stare at the page. Make yourself write one word—any single word. Then write one more—just one. Keep going like that until you have a sentence. Then do it again. Don't delete them! You can do that tomorrow!

You might also trick yourself with "temp text"—words that you know won't be in the final draft but that convey enough of the story to move forward. [I like to put mine in square brackets. It tricks my anxiety brain into not editing it, and it's easy to search for later.]

But what if the reason you can't write goes beyond "I don't know what to say" and into "I literally cannot make myself write"?

Reason #3: There is a legit physical or mental reason you can't write

Sometimes writer's block isn't about writing. Sometimes it's caused by a physical need, like you're hungry or tired. Or there might be an emotional need instead. Even if you have no fear of bad words and know exactly what happens next in the story, depression, anxiety, and burnout (among other things) can make it impossible to write.

Whether the block is physical, emotional, or something else, the solution is the same.

SOLUTION: Take care of yourself. Eat a snack. Take a nap. Meditate. Exercise. Listen to your body and give it what it needs. And if your body's needs are ongoing—like, something a simple snack won't fix—take stronger measures:
  • Change your writing schedule to a better time for your body or mind.
  • Readjust your writing goals to put less pressure on yourself.
  • Seek professional help.
That last item is for me, because my fear is far beyond "My words aren't good enough." It often becomes "If my words aren't good enough, then my story won't be good enough, and then I won't be good enough, and then every bad thing I believe about myself will be true."

Of course, I didn't know that until I sought counseling (not for writing, but my writing fears came up). Sometimes, we need help, and that's okay. I still struggle to make myself write, but at least now, I'm more aware of the actual problems I need to address.

Whatever the cause of your writer's block, and whatever emotions you might feel, know that those feelings are normal and okay to have. They don't make you any less of a writer.

If anything, they prove you are one.


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Blogging Again in 2024? Heck yeah.

— July 30, 2024 (5 comments)

This is not a drill, folks. I hear tell blogging died a long time ago. Well, guess what? Necromancy is a thing! I have need of this space, and I refuse to let the algorithms determine my internet experience. (And anyway, if social media is meant to be a replacement, I'd like to file some complaints.)

Here's the deal. After several years of freelancing in gamedev, my long-term contracts have wrapped up, so I'm returning the thing I love the most: helping writers get better at this word-writey thing we do.

I'm gonna offer that in two forms:

  1. Free tips here on the blog
  2. Professional editing for hire
That's right, you can hire me for editing again! Or spread the word to your writer friends! Because rebooting a freelance business is sketchy, and I appreciate all the help I can get. (Plus, I'm really good at editing. Ask anyone.)

So I'm dusting this thing off (and BOY was it dusty!) and plugging myself back in. If you wanna be here to see what comes next, subscribe or find my socials in the sidebar.

And if you'd like to hire me for editing, you can start that process right here.

I'm glad to be back on this thing. Change is scary, but I love editing and I love helping people. I'm excited about where this is going, and I hope you'll join me.


NOTE: If you were subscribed to my blog in the beforetimes, then hi! Welcome back! How have you been?

You're probably still subscribed, but if things look different from what you remember, it's because my old subscription service is dead and I had to find a Feedburner alternative. Thankfully, some parts of the internet still do things for those of us who were here when it began—even if they tack ads onto everything.

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Finding What Works for You

— May 18, 2018 (2 comments)
Hey, look! A post!

Let's talk a bit about online presence—how writers and other creatives are told (or expected) to have one whether they like it or not. You gotta be on Twitter and Facebook and Instagram and blogging (well, maybe not blogging anymore, but I will! Sometimes! Screw you, conventional wisdom!).

So the two of you who pay attention know that I've been streaming on Sunday nights for *checks calendar* about a year now. I started because it looked like fun, because I thought it would be a good way to play games I couldn't play around my kids, and because I saw people gathering an audience and I thought, "Hey, maybe I could do that."

Understand, I know how hard it is to build an audience, and I know nothing makes that happen overnight. I never expected to have hundreds of viewers who would all run to buy my books. I figured I'd just build something small—like I did here and on Twitter and Facebook—and maybe, maybe when I had something to sell or to say, that would be another platform for it. And I'd get to play games in the meantime.

Anyway, it turned out not to be as fun as I thought.*

* For me. Other people have fun with it, and that's awesome, but it just wasn't meshing with my schedule or personality.

I am no longer streaming. Could I have built an audience? Sure. But I realized I was no longer looking forward to it, and the idea of not streaming felt like... relief.

And that's my point. When you're looking at ways to build an audience or online presence, you have to HAVE TO evaluate what works for you—what do you enjoy, what comes naturally, what do you look forward to (at least most of the time)? Because otherwise... it just won't work no matter how hard you bang your head on it.

And besides, streaming (and blogging and tweeting and instagraming and... tumbling?) doesn't sell books. Books sell books. And now I have a little bit more time to do that.

So anyway, there's your conventional wisdom for today. Also your general update: I'm still working on stuff for you to enjoy, but I've got nothing finished or announced yet.

I do have a progress chart for the mobile gamebook though (I post updates for this on Twitter and Facebook occasionally). Here's where I am:


I hope to have this thing turned in by early July. We'll see.

So what are you working on?





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Editing Tip: Consistency, Consistency, Consistency

— April 02, 2018 (7 comments)
I know it's been a while. I've been ridiculously busy, but as promised, here's a quick editing tip on something I always wished I had known and now I do.

So, I'm a very meticulous human being (most of the time). I like precision, accuracy, and the difference between the two. I like knowing the right way to do things, and I very much like doing things that way.

Which is why the English language drives me absolutely nutty.

One space after a period or two? Leaped or leapt? Jesus' or Jesus's? God damn it, God dammit, or gorramit? How the hell do you pronounce gif? Lots of people have opinions on these things, and many will tell you there is a right answer to them. And there is a right answer, but it's much more wibbly-wobbly than we want to hear:

The correct choice for most spelling, punctuation, and style questions is the choice that is used consistently.

Really.

Really, really.

It honestly doesn't matter whether you use one space or two after a period so long as you do one or the other consistently. How you spell "damn it" doesn't matter so long as you do so consistently. Whether you italicize foreign words or not doesn't matter so long as you do so consistently.

"Hold on," you say. "Does that mean I could choose not to capitalize any words at all, and that would be correct so long as I'm consistent? Isn't that objectively bad grammar?"

There is surprisingly little that is objective when it comes to language. But yes, that is usually considered bad grammar...

And yes, you can do it so long as you're consistent. E. E Cummings was famous for doing exactly that as well as screwing with punctuation and word order in general. And lest you think "Well, that's poetry," R. J. Palacio did the same thing for some chapters of the wonderful Wonder, even eschewing basic punctuation like periods and quotation marks.

So even grammar is just like the other "rules" of writing—you can break them so long as you do so intentionally and consistently.

Will it work? Well, that depends on what you're doing and how difficult it is for the reader. But there's nothing that says you can't try.


"Okay, wait. My editor told me I have to put one space after every period, regardless of what my typing teacher taught me. Why can't I do it my way like you're saying so long as I'm consistent?"

That's because your editor is following what's called a style guide—a list of rules they follow to make sure that everything they work on is consistent not just within each work but across every work they publish. Style guides are lovely because they do tell you what is right and wrong (kind of), allowing you to have that feeling of being Right (usually).

Most publishers have their own style guides, which are likely (but not necessarily) based on the Chicago Manual of Style. They are also probably using a specific dictionary (and a specific edition of that dictionary) to determine how words should be spelled to be consistent.

For example, the CMoS recommends one space after a period, serial commas in lists of items, and capitalizing words the way you learned in elementary school. If you're talking about what's "objectively" correct, the CMoS (along with other, similar style guides) is the closest thing you're going to get.

But even the CMoS only "recommends" certain things, stopping just shy of laying down the law. I hope to write more of these posts, exploring some of what the CMoS says about certain rules (rules I always wondered about but have become much more clear on lately), but in the meantime, you can find the answers to a lot of rules' questions with a little Googling, the full content of the 16th edition of the CMoS, or if you're really hardcore, a subscription to CMoS 17.

Or ask me! What questions have you always had about what is objectively right or wrong? If I don't already know the answer, I probably should (given my current, primary means of business), and I am more than happy to research it.

[UPDATE: I am a horrible person because for some reason I had typed that CMoS recommends two spaces after a period when I know, I know it does not. This has been corrected, and I have been self-flogged severely as a result.]




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March Update

— March 27, 2018 (2 comments)
I've got a writing tips post for you next week, but here's where things stand with me now:
  • I'm writing dialogue for a game I can't announce yet (but will as soon as I'm allowed). There should be a reveal trailer soon, though I don't expect the actual game to be done for several months or more.
  • I'm writing a gamebook-as-mobile-app (I'm doing the writing and choice design; the publisher is doing the systems design and actual functionality). So far, I've turned in three chapters out of ten. I hope to have it all done within two to three months, at which point... we'll see.
  • I recently finished a crapload of big editing projects (hence the silence here), which is kind of nice because I feel like I don't have to worry about money for a few weeks. Some of them are exciting too, like a major RPG rulebook and a couple of tie-in novellas to a major MMORPG.
  • I've been streaming Cuphead (stream is here, archived videos here). This is a ridiculously hard game, folks, but it's fun to be forced to work my way through it in public. I've also recently streamed Portal 1 and 2 with my parents alongside me and River City Ransom: Underground with my family and friends.
  • My brother roped me in to Sea of Thieves, and although I don't have a lot of time for it, I'm awfully glad he did. I love everything about it so far, but nothing more than concertinas and hurdy-gurdies.
Image result for sea of thieves hurdy gurdy
I know there are a lot of vagueries in those earlier bullet points, but that's because there are a lot of NDAs in those bullet points. I have a feeling I'll be announcing a lot of things all at once one of these days. Until then, vagueries are what you get.

So how are things with you?



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Brief Work Notice

— February 05, 2018 (1 comments)
My last, large editing project has come in, and I have a new game design gig starting on Monday. Consequently, I will (probably) be too busy to post here until the editing project is done sometime in March. You know, for the two of you who care about such things.


When I do post, I have some writing/editing tips for you—things I always wish I had known and now I do.




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Books I Loved in 2017

— January 29, 2018 (0 comments)
Late, I know, but meh. Here were some books I read and enjoyed in 2017. As with my games post, I'm mostly leaning toward books you are, perhaps, less likely to have heard of.


HAMMERS ON BONE by Cassandra Khaw
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John Persons is a private investigator hired by a ten-year-old to kill the kid's stepdad. But he finds that something much worse is wrong with the stepdad . . . and the town. Fortunately, John Persons is a bit more than a, uh, person, and therefore qualified to handle creepy night horrors.

I am so glad to have learned of this author this year. She twirls words around her like a gymnast's ribbon. Hammers on Bone is a delicious combination of noir, cthulhu-style horror, and beautiful prose, and I can't wait to read more of Khaw's work.


BACK OFF, I'M A NINJA by Natalie Whipple
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This is the final book in Natalie's Relax, I'm a Ninja trilogy about a Japanese-American teen ninja named Tosh, who discovers he's one half of an awesome, demon-hunting duo. I won't spoil the third one if you haven't read any yet, because you should really read all of them.

Tosh manages to be cool and geeky at the same time, and in the last two books in particular, I loved his relationship with Amy. Honestly, Tosh and Amy make me want to be a better husband, which is a weird thing to say about a young adult book about ninjas and demons. I love the Japanese mythology used throughout the trilogy, too. These books are just tons of fun.


THE NIGHT CLAVE by Monte Cook and Shanna Germain
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Set in the world of Numenera, a group of friends make a desperate attempt to rescue their people from a mind-controlling tyrant. (Full disclosure: I proofread this book.)

Aside from the Numenera world (which is so much weird and fun), I really enjoyed the relationships between the characters. The heist aspect was great, but the relationship and banter between the two main characters just made me so happy.


ON THE EDGE OF GONE by Corinne Duyvis
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A comet is scheduled to hit the Earth. This is the story of a young girl named Denise and her struggle to survive—and find her sister—both during and after impact.

What I love most about this book is how Corinne makes an impact apocalypse in Amsterdam feel just as real as Denise's autism. I really enjoyed experiencing both.


THE CITY STAINED RED by Sam Sykes
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An awesome, classic, fantasy adventure starring an unlikely group of adventurers trapped in a city about to be wiped out by feuding gangs and ancient demons. This is such a fun world, and the story feels like a D&D campaign gone very, very wrong in all the best ways.

Even though the novel screams D&D, the story rests heavily on the characters and their personal struggles, and so it doesn't fall into any of the classic RPG traps. So it's a novel screaming D&D (which I love) while telling an awesome story about conflicted characters (which I love). So yeah, awesome.



Next up, I hope to finish Garth Nix's Abhorsen trilogy. What are you reading these days?



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On Being Late to the Party (and a Quick Update)

— January 22, 2018 (0 comments)
So far, my months of too much work are going well. I've finished editing one novel and one novella, and the other projects have been sufficiently late in coming that I've had time to do so. I guess I made a good decision saying yes to too much!

Also, the gamebook is definitely going to be a thing now (meaning I've signed a contract). It's going to be several months coming, but it will come. So that's something to look forward to.

The other day, I had a mini-rant on Twitter about being late to the party. Let's all agree to stop using this phrase and just enjoy things, yeah?





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When Things Fall Through

— January 08, 2018 (3 comments)
I got some hard news this week. The editor who was looking at Sea of Souls decided to pass. I still have a lot of good things going on, but this one just . . .


So that was a hard day. But to my surprise, it was only a day. Maybe it's because I still have other things on the horizon or because I've been focusing on being thankful and redefining success, but this loss didn't kill me like it would have years ago—maybe even a year ago.

When I lost the Nexon gig last summer, I scrambled to find work, e-mailing everyone I knew and following every thread. And one thing I learned is that like 80% of those threads—even the ones that came with promising words at the start—also fall through, but it doesn't matter so long as one or two of them sticks.

Heck, even my surfeit of work is not a sure thing until I have projects in hand. But that's okay; the whole reason I take on so much is so I don't have to freak out when some of it disintegrates.

So yeah, I'm thinking maybe I don't (yet) have what the Big 5 publishers are looking for (yet), but I have what Broken Eye Books, Scribendi, [redacted game company], and a few other clients are looking for—and I have an amazing family with enough money to feed them for a while yet. So things ain't so bad. I even briefly imagined life without any writing at all, and you know what? It was still a pretty good life.

(Don't worry. I'm still going to write.)

A part of me (a very, very small part) is even glad Sea of Souls dropped, because now I have more time for other projects people do want. And, man, if there's one thing I need, it's more time.

If those fall through, too? Well, I'll figure that out later. Until then, I'll keep enjoying what's in front of me.



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A Look at 2017 and the Alleged 2018

— January 01, 2018 (2 comments)
2017 was . . . an interesting year. Aside from the dumpster fire, I went from four years of reliable, steady work to juggling chainsaws.

Don't misunderstand me. Before Torment, I had no work at all, and our enormous family was slowly hemorrhaging money. Torment was literally (in the literal definition of literally) a Godsend, and although freelancing has been bumpy as hell this year, the connections I've made in the last five years are the only thing that has made any of it possible.

So! Looking back at 2017:

1) Torment was released. Not unlike the first one, sales have been unimpressive (so I hear; it's not like I see any financial reports), but the critics love it as do most of the people who have played it.

If history is any indicator, we can expect its successor to be the next crowd-funded success in another fifteen years.

2) I worked for Nexon . . . and now I don't. I realize now I didn't talk about this much on the blog, but yeah, I was doing game writing (and a little design) for a prototype for Nexon which the high-ups ultimately passed on. They not only passed on the prototype, but also the whole team, which unfortunately included me. But hey, I got paid for several months and had time to write on the side, so I ain't complaining.

3) I became a professional editor. I have begun editing for both private clients as well as the online editing firm Scribendi. The combination of these has made for steady work (private clients aren't always there, but they pay great and are super fun; Scribendi is always there).

When I started, I was somewhat hesitant about my editing abilities. I knew I had great attention to detail and a lot of experience with plotting and world-building, but I felt like there was a lot I didn't know about the editing world. Now, thanks in part to Scribendi's training courses, I super know what I'm doing. I edit. I'm an editor. And I love it.

4) I started streaming. Thanks to the magic of the internet, I've been able to play games I've been meaning to play, hang out with my family, and meet other gamers all at the same time. Streaming is a lot of fun, and I expect to keep doing it for a while. (I wish I could do it more, but making money on streaming is a lot more work than advertised.) If you'd like to join us, I stream most Sundays here or you can catch up on previous streams here.


As wacky as this year has been, I'm pretty happy with the state of my life. Torment was fun and amazing and I regret almost none of it, but I also essentially ignored my family for four years with a single credit to show for it. As a result, I learned important things about freelancing that have resulted in me making more money (or "enough" money, which really is better) with less time.

With that, here's a quick look at what 2018 might look like:

It starts with a lot of work. Like too much. But it's all awesome work, and some of it might lead to more work, and most importantly it means I don't have to worry about money for a while, which is always nice.

Cunning Folk. I've been talking with publishing folks about a book that long-time readers will recognize. I recently read my first draft and . . . yeah, I definitely wrote it a long time ago. There's a lot of dust to blow off it, and a lot of pieces that need a writer more experienced than past-Adam was, but there's also a definite possibility to publish some version of this book. I'm looking forward to that.

Blogging. Perceptive readers will notice that I've posted regularly for six weeks in a row now. Will this return to the glory days continue? Stay tuned to find out!

Streaming with my parents. My parents come to visit us a few weeks every year. This year, I'm going to see about introducing them (and myself) to a little game called Portal, and you can watch the fun.

Sea of Souls? The outline's on the editor's desk. We'll see.

Post-Apoc Ninjas? Also on editors' desks, but keep in mind it's been there for a while.

Gamebook? There are some unknowns here, so I can't say much about it. More news when there is news. (But, man, is it fun to write!)


So how are you all? Highlights from 2017? What are you looking forward to in 2018?



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Freelancing (and Mini Work Update)

— December 25, 2017 (0 comments)


Based on a true story. (And my apologies to Alex Norris whose schtick I have borrowed.)

If all goes according to plan, I will have a novel, two novellas, and a large RPG rulebook to edit, plus I may have a new part-time game design gig. I realize this is a good problem to have, but I'm looking at where I'm going to fit everything in the next 2–3 months.

I can fit everything. It's just a question of how much my unpaid projects suffer—I suspect quite a lot.

Also, this is exactly the time of year my parents are coming to visit.

Oh no.

I'm grateful though, for real. Among other things, I feel less guilty about taking a week off for the holidays. It's been a long time since I've taken a guilt-free vacation. I'd almost forgotten that was a thing people did.

So! How are your holidays going?



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Games I Loved in 2017

— December 18, 2017 (0 comments)
Here are a few games I absolutely loved this year. You should check them out.

As with previous posts in this vein, these are just games I played in 2017. I don't have enough time or money to decide the best games published this year. Also note that this list is intentionally skewed toward games you might not have heard of. Mostly.

MAGES OF MYSTRALIA
Image result for mages of mystraliaA Zelda-like action adventure where you play a young mage living in a kingdom where magic has been outlawed. The art style is sweet, and the world and story are lovely (created by Ed Greenwood of Forgotten Realms fame), but what really makes this game awesome is the core mechanic of programming your own spells with the rune system.

I mean, it's not full programming, and there are definitely some runes that are more gimmicky than useful, but there's a lot of depth and exploration to the system, and I never got tired of playing around with it.

OVERCOOKED
Image result for overcookedA fast-paced couch co-op in which you and up to three friends try to serve up as many orders as possible. This game is no good single-player, but it's one of the most fun and chaotic party games I've ever played.

My only complaint is that managing a kitchen full of my own children is indistinguishable from managing them in real life.

ABZU
Image result for abzuThis is what the kids call a walking simulator (swimming simulator, actually). You start the game floating off the shore of a coral reef, uncertain who you are or why you're there. As you swim through the game's levels, you begin to learn about the civilization that fell and your part in it.

There's not a lot of game here other than exploration, but everything about it is gorgeous: the graphics, the world, the visual storytelling, the music. If you play games as a break, and Overcooked sounds stressful, then try Abzu for a super-relaxing, wonderful time.

MR. SHIFTY
Image result for mr shiftyA fast beat-em-up game in which you play a teleporting thief—basically Nightcrawler without the blue skin. You are infiltrating a high security corporate tower that very quickly becomes alerted to your presence. You have no tools except for super strength and the ability to teleport a few feet at a time.

This is one of the most fun, visceral games I've played in a long time. Everything about the game feels awesome, from taking out ten armed men in two seconds to Mr. Shifty's cool, slow walk as he leaves a scene. Even the elevator music between levels somehow serves to make you feel more like a badass.

THE WITNESS
Image result for the witnessThis is the most engrossing, challenging, and satisfying puzzle game I've played since Myst—better than Myst, really. You start the game in a dark tunnel beneath a mysterious island, and for a long time that's literally all the information you get about what's going on. The game teaches you nothing directly, asking you to figure everything out on your own a piece at a time. I spent over 50 hours on this island ferreting out every secret I could, and I enjoyed every minute of it.

Warning: This is not a story game. The Witness is very much about the journey, not the destination. As a direct consequence, you don't want to use a walkthrough on it; you will only disappoint yourself.


So what did you play this year? Anything I just have to try?




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Difficulty Curves and Mega Man

— December 11, 2017 (1 comments)
Those of you who have been following me on Facebook or Twitter might know that I've been making my way through the Mega Man Legacy Collections.


These games are not easy, and it's made me think about game difficulty curves and why I like Mega Man so much, despite the fact that Mega Man's difficulty curve is super weird.

Before this is going to make any sense, we need to talk about what a difficulty curve is. The standard curve looks like this:


Here's how it works. A game starts out super easy, allowing the player to learn the controls and rules. It gradually gets harder until the first checkpoint, like a boss or increasingly strong monsters before a new experience level. When the player has overcome this obstacle, the game is a little easier for a time while the player learns the rules of the next level or their new abilities. This rise-and-fall continues, growing gradually more difficult overall, until the player reaches the final, most difficult boss/puzzle/whatever and wins the game.

This curve provides a balance between too easy and too hard, giving the player a healthy mix of facing difficult challenges and feeling super awesome about themselves. As such, this difficulty curve is used in most modern games.

Mega Man's weird, though.


Every Mega Man game follows the same basic formula. The player is initially faced with a set of bosses that can be defeated in any order. Upon defeating each boss, the player gains a new weapon, and over time they discover that each boss is weak to a specific weapon of another boss.

After the initial set of bosses, the player must make their way through Dr. Wily's (or sometimes a different Dr.'s) castle. The castle levels are designed knowing that the player has access to every special weapon, meaning the player will be called upon to use most weapons at some point. At the end, the player faces the initial bosses again, all at once, before facing a final boss (spoiler: it's always Dr. Wily).

This means every Mega Man game is difficult from the start, when the player has no special weapons, and gets gradually easier as they defeat each boss. The easiest time in the game is the final boss before the castle, when the player has nearly all the special weapons and can deduce which will defeat the boss. Then the castle levels get increasingly difficult again, leading up to Dr. Wily.

Mega Man is one of the most popular game franchises in history, spawning over 50 games and selling over thirty million copies worldwide. But the originals were freaking hard! My son sat down to play Mega Man 1 for the first time and got his butt kicked. He has yet to beat a single boss.

Why the heck does this work? Because Mega Man knew exactly where it fit in the gaming world. Not only was the original released in a time when difficult video games were the norm, but look at Mega Man's difficulty curve when we put it up against the normal one:


Mega Man's difficulty curve does not exist in isolation. For people new to the run-and-gun genre, Mega Man was rough, but for people who had played games like Contra, Rush'n Attack, Castlevania, and Metroid, Mega Man was just a different point in a curve they were already familiar with.

I suspect this is why ridiculously difficult games like Dark Souls and Cuphead are as popular as they are, too. They aren't targeting the casual gamer; they're targeting people who have traversed the curve so many times that they don't mind jumping ahead to the hard bit (plus bragging rights are pretty cool, too).

Thoughts on this? Reminiscences about how awesome Mega Man was? What other games have weird difficulty curves? To the comments!




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Success You Can Control

— December 04, 2017 (6 comments)
When we start writing, a lot of us do it, at least in part, to be "successful" (maybe just me, but I'll assume a lot of us because it makes me feel better). By successful, I mean like famous, best-selling, award-winning, rich, amazing whatever. And we know, we KNOW we can't control it, but it so feels like we can. Shoot, I've been writing professionally for almost a decade and have been rejected more times than the 45th US president has lied on record, and I still feel like I can control it.

(Sad that this had to get political? Me too, man. *heavy sigh* Me too.)

It's not just writing either. This is true in basically every creative industry and probably a fair number of non-creative ones as well. But what do you do when success doesn't come? Like, for years and years and years and . . . nothing?

There are lots of ways to deal with it, but I think they all boil down to these two: either give up or redefine success.

Now, when I say "redefine success," I don't mean give up on your big goal-dream of making it big; that's just giving up. I mean redefine your goals to be something in your control so that you're not just pulling yourself out of bed each morning, but rather you're jumping out of bed because you have another successful day ahead of you.

This is what I've been doing lately. I've still got big dreams, and I'm working hard toward them: I have a novel outline in the hands of a Big 5 editor. I have a mobile gamebook in the works. I hope to carve time to write some more novellas. But my happiness isn't resting on those things. They're way too far out, and too much of it is out of my hands. Saying my book has to sell or my game has to hit it big is just begging for depression.

So where is my happiness? Partially, I'm still trying to make myself truly believe these things, but here's where I want it to lie:

  • In making enough money each day to feed my family well and maybe take them to a movie every once in a while.
  • In spending time with my family.
  • In having time and purpose to create something that I love.
  • In having time to play a game or watch Netflix every so often.
I have so many freaking projects that if I put my happiness in any one of them -- or all of them all at once -- I'd end up working 28-hour days only to have the project flop while simultaneously missing out on what makes these projects worth doing at all.

So I'm trying to take things slow, one day at a time and enjoying my family at each step. How about you? What does success look like for you?




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The Importance of Being Mercenary

— November 27, 2017 (0 comments)
A thread I posted on Twitter that is important enough (and I think about this stuff often enough) to post it here.














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Got Me a Jorb

— September 21, 2017 (5 comments)
Last month, as you'll recall, I lost my game design gig. For the past several weeks, I've followed every lead I have and pulled together pieces of several jobs. Unfortunately, none of them are big enough (or steady and consistent enough) to serve as a Family-Providing Job.

But that's the past! I am now officially a remote editor on the roster for an online editing and proofreading firm.

Okay, that sounds super boring, but let me tell you why it's exciting IN LIST FORM!
  1. It's a steady job! Game design is super awesome, but it's hard to consistently find contracts for a remote designer/writer/whatever I am.
  2. It's ridiculously flexible! I can stay on the roster as long as I edit a minimum 10,000 words a month, which is like a day of work for me. That means that I can still do game design contracts, freelance editing, and writing gigs as they come up, and this editing firm will still be there when I'm done.
  3. It'll make me a better editor! I get tons of practice, advice from professionals, and even free training, so every job I take for these guys improves my skills for my private clients as well as my skills as a writer.
  4. I set my own hours! Do I need to make extra money one month? I can work crazy hard and do that. Do I need to take a week off suddenly without asking for permission? I can do that too. Nobody cares, so long as I meet my minimum (and feed my family, which my family cares about, I guess).
  5. I work to a task rather than to an arbitrary number of hours! On Torment, I was paid monthly no matter how much I worked -- and I worked a lot. I don't regret the time I put into that game (the opposite, actually; I wish I could have put more time into it), but it wasn't really sustainable. On the other hand, most projects pay me only for the hours I do, which is more fair but gets tricky when they don't have enough for me to do or when there's too much for me to do in the hours they've budgeted for me. I much prefer to get paid for a task and then be left to work at my own speed. I don't have to stress about working too slow (within reason), and if I work fast then I get bonus freetime.
  6. As I said on Twitter a few weeks ago, I freaking love editing! I get to help people! And clean things! And make money doing it!
Reasons #2-6, by the way, apply to freelance editing as well. And freelancing pays better. AND I get to work on awesome projects like novels and RPG rulebooks. But yeah, that Reason #1 is kind of important. Editing resumes and college essays and dissertations might not be a manic dream job, but it's exactly the glue I need to hold all these other job pieces together while still keeping my family alive and junk. (And I do get to edit novels sometimes).

Other theoretically more exciting updates, in no particular order:
  • My Sea of Souls outline is still in the hands of the person who will decide its fate. That's publishing, man.
  • I'm working on a gamebook for a mobile game company. It's no steady job (and no contract has been signed, so I can't say anything concrete), but it's pretty exciting. Gamebooks are basically my prestige class.
  • I'm doing some proofreading and editing for Monte Cook Games and enjoying every minute of it (and not just because I get to read all this awesome stuff before anybody else). I love all my clients, but MCG might be my favorite.
  • On Sunday nights (US time), I'm currently streaming Ori and the Blind Forest, which is one of the prettiest most explory-fun games I've played.
  • I might MIGHT be able to breathe new life into ye olde Cunning Folk (which could be exciting for the two of you who've been reading this blog since forever).
As always, more on these if/when I have it.

In the meantime, how are you doing? What are you playing? Or watching? Or whatever you do for fun?



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Let Me Edit Your Book

— August 17, 2017 (0 comments)
While I'm in between design gigs, I've decided to offer up my services as a freelance editor. I've been critiquing and editing novels for years (in addition to virtually every single conversation in the incredibly verbose Torment), and I'd like to use that experience to help you.

If you'd like to have a professional author with an obsessive eye for detail take a look at your novel, I'm your guy. I'm offering several different levels of editing, including a sample edit so you can try before you buy. If you can't find what you're looking for... well, I'll be surprised.

Details on the Editing Services page, here.



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Update, August 2017

— August 15, 2017 (6 comments)
Hey, guys! If you follow me on Twitter or Facebook, then you probably already know this, but for those who don't: my new game design gig (mentioned in the last post) has ended and I am currently looking for new work.

Being unemployed is weird, but I think I'm through the emotional worst of it (he says, just before his family runs out of money entirely and he discovers new meanings of "worst"). I have a few leads, though nothing concrete yet as of this writing. Honestly, I'm excited at the possibilities, but that's easy to say, isn't it? Possibilities are always exciting.

Here are some other things that are going on:

1) I'm still thankful. Remember that gratitude posting I talked about last year? I'm still doing it, day 257 and counting. And I'm really glad I have been. Not even counting the rotting landfill that is American current events, I've had a number of depressive times in my own life this past year. Forcing myself to literally count my blessings has really helped me get through them.

If my notifications are any indicator, it's helped other people as well. So no worries. I'm gonna keep going.

2) Sea of Souls. Last time, I mentioned a Middle Grade novel tentatively titled Sea of Souls. This novel has been outlined and the outline sent to the person who requested it. We'll see what they think. Me? I'm excited. This novel feels important to me, more so than most things I've written, and I'm anxious to see what comes of it.

3) I'm streaming on Twitch. What's streaming, you ask? Basically, you get to watch me play a game while you and other fun folk chat at me (my family, in particular, is pretty fun to chat with). I've been playing games like Thimbleweed Park, Black the Fall, and Old Man's Journey -- mostly games with strong narratives because that's the kind of thing I enjoy. If you'd like to watch, head over here on US Sunday nights: https://www.twitch.tv/adamheine_th, or you can catch up on old streams at YouTube here: https://www.youtube.com/user/AdamHeine.

(Yes, I realize I stream the same time as Game of Thrones. Whatever.)


I've got some other things going on, but I can't talk about them yet as they're all just possibilities at this point. None of them are guaranteed provision for my family, but they're exciting possibilities with the potential to provide. I'll tell you more when I can.

How are you guys doing? Tell me in the comments.



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Current Status

— March 11, 2017 (5 comments)
For a long time, not a lot had changed, hence the lack of updates. But here's what's going on in my life right now that you may (or may not) be interested in:

1) Torment is out. You probably already know this, but if you don't let me say it again: TORMENT IS OUT FOR PS4, XBOX, PC, MAC, AND LINUX. It's also getting some pretty great reviews, with a metascore of 83 on Metacritic. I don't think I could be happier with all of our work.

2) I have a new game design gig. I am not (currently) working for inXile and instead am doing narrative design for Nexon. I do very much hope I get to work with the fine folks at inXile again in the future, but I'm also pretty excited about what we're doing at Nexon. Such is the life of a freelancer.

3) I'm currently drafting "Secret Middle Grade Fantasy Project." I want to tell you more, but I can't. Suffice to say I'm excited about this project.

4) I'm also writing another Middle Grade novel. This one tentatively called Sea of Souls. It's very different from anything I've written, which makes me both scared and excited. I think it could be pretty great, but we'll see!

5) I'm considering starting a Twitch stream. Because obviously I have all this free time. If you don't know what Twitch is, don't worry about it yet (I'll explain more if/when I do). Right now, I'm just trying things out and deciding what I want to do with it (and why). Any thoughts you have on the topic are welcome.

6) I'm finishing up Rurouni Kenshin. Thinking about what to watch next. Probably Iron Fist (since I'm fully invested in the Netflix Marvel universe), but there are so. Many. Shows.

7) I'm (finally) playing Banner Saga 2. And discovering I really suck at it, but also discovering how not to suck at it, which is fun.


As for other things you might be interested in -- like Izanami's Choice, some kind of sequel to Izanami's Choice, Post-Apoc Ninjas, etc -- I have no new news on these things (hence the long periods of silence). But that doesn't mean they have disappeared. As always, I'll let you know when I have something to share!

So that's what's going on with me. What have you been doing lately?




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On Being Thankful

— December 05, 2016 (3 comments)
I don't remember why, but decades ago I decided, as part of reflecting on the day, I would name whatever good things had happened that day. Whether they were big, awesome things like getting to speak to the girl I had a crush on (it happened once!) or small, stupid things like getting a green light on my way home from work. My teen years, like most, included some dark times, but I believe that habit helped me through.

Today, when I'm having a crappy day or bordering on depression, I'll force myself to name five things I'm thankful for that day, whatever they are. The first one or two are easy but have little effect. The third or fourth is always difficult to think of. I often want to give up. But by the time I get to number five -- for some weird, nigh-magical reason -- I actually feel better (and usually name one or two more things because it's easier all of a sudden).

With social media, I've seen at least a couple of people now post one thing they're thankful for each day for a year. My brother, in particular, has kept going and is now on year four. These posts don't often make me laugh out loud or inform my day (the two main things I hope for in social media), but they make me smile. They provide pleasant bright spots in what can sometimes be a dark feed.

They remind me there are things to be thankful for.

With all the crap my feeds have been filled with, I don't know why I haven't started the same thing sooner. But I have now. You are more than welcome to follow on Facebook or Twitter, but honestly it's not for you. It's for me, to remember that there is always something good -- there is always light.

And if that light touches even one other person? Well, that's awesome. That's the one thing I want most to do.

In the comments then: What are you thankful for today? There is nothing too small.

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5 Things You Might Need to Hear Right Now

— November 10, 2016 (3 comments)
My hand-crafted echo chambers are full of mourning and outrage (with a sprinkling of praises and celebration). Reading through it is hard and not good for anything useful of any kind. Expectations have been shattered, and some are genuinely afraid for their lives or livelihood.

If your echo chamber is similar -- or if it's your life or livelihood that's endangered -- I'm not going to tell you it'll be okay or it will get better. I don't know that. I don't. But I do know a few things you might need to hear right now.


1) Take care of yourself. If you fall apart, nothing else you take in or put out will matter. There is no shame in taking a few days off to cry or laugh or escape. In fact, there may be shame in not doing that.
 
2) Turn off the Endless Browser of Outrage. I'm in a much better place than I was a month ago, but even I feel the gravity of the downward spiral with each turn of the scroll wheel.

STOP IT. Your life is not in here. It's out there, with friends and family. Nothing here will affect what you do out there, so if the Browser of Outrage is stealing your life, kill it. Take that life back.

3) Love someone. Love everyone. Be nice to nobody in particular. Be the change you want to see in the world.

I mean in real life. You can love people online too, but it's way more effective in real life.

4) Do you create? Then create. If you can't create for anything right now, then don't. Create for you. If you can create for a purpose, do that too.
 
5) Have a booplesnoot.


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I Took Two Weeks Off Social Media and All I Got Was This Lousy Blog Post

— November 01, 2016 (3 comments)
If you follow me on Twitter or Facebook then you may have noticed that I took the last two weeks off from social media.


So there were a lot of reasons, but mostly it was my kids being off school for two weeks and the aforementioned big ugly reason I haven't blogged much. (My kids are not related to my anxiety, but both things affect how much time I have to get creative work done).

"Okay, so... what'd you get out of it?"

Right, well first you need to understand how Twitter and Facebook factor into my normal life. 

On a good day, the first thing I do is get through all the e-mails the US sent me while I was sleeping. Then I sift through Twitter/FB (and any associated articles) while I'm eating breakfast. It's my newspaper. I have a couple of lists of people for whom I try to read everything I missed, and for the rest I just read whatever Twitter and Facebook deem important for me to read. I usually do this again at lunch and then at night when I need to decompress.

On a bad day, I will additionally be checking them constantly -- every time Unity compiles, every time Torment loads a new scene, every time I come back from the bathroom, every time I get a glass of water or someone asks me a question or a cat mews outside. Hell, I checked Twitter three times just now while I was writing that sentence.

Lately, I noticed I was having more bad days, hence the social media vacation.

So what happened these two weeks? A list:
  • The first 2-3 days were hard as hell. I felt disconnected from everything and everyone. When Unity was compiling, I had to sit there and watch like a chump.
  • I found myself checking fivethirtyeight.com and Izanami's Amazon ranking about ten times more often than their updates can possibly justify.
  • I gathered news from primary news sources. It was super weird.
On the other hand....
  • I had way more time for Torment, my kids, and Shadowrun Hong Kong.
  • I watched the third debate without commentary and it didn't make me mad even a little (exasperated isn't the same as mad, right?).
  • I remembered how to solve Rubik's cube.
  • I didn't get depressed even once.

Let me say that last one again: I DIDN'T GET DEPRESSED EVEN ONCE.

When it came time to get back on, I was actually afraid. Did I want to go back to the monster that sapped 2-3 hours of my day and an immeasurable quantity of my joy?

Well, yes I did. Because among other things, that's how I connect with the world and that's how people connect with me. (The second day of my break, my mom IMed me to say my posts helped her get out of bed in the morning and now she didn't have a reason. I love my mommy.)

But I didn't want to do it the way I had been doing it, so I decided to change a few things.


Limiting the time is easy (for certain values of easy). For one thing, I don't need to read every single damn post that went up since the last time I checked. If I'm afraid of missing something? Hey, look: actual news! For another, I really really really really need to stop checking every time I'm in mid-thought.

Yeah okay, that part's not actually easy. But you know what they say.

How to limit anxiety? I spent a lot of time thinking about that (because I had time, you see). Turns out social media can cause depression (shocker), but why? Well, for me it was mostly all the outrage. There are a lot of legitimate things to be outraged about, but when you're scrolling The Endless Browser of Outrage, it kinda bores into your skull. I mean, that's why you're not supposed to read the comments.

I needed to remember that the world is not outrage. It's mostly pretty mundane -- or even happy -- especially the part of the world that has any effect at all on my life.

So for now, I'm trying to pay closer attention to my emotions as I read. Am I getting upset? Bored? Depressed? Maybe it's time to stop scrolling.

Will I stick with it? God, I hope so. Maybe you can help keep me accountable on that.

I don't know how or whether this applies to anyone else. But having done so I would definitely recommend a break from social media from time to time. And if you do take a long break (like a few days or more), before you turn it on again stop and think about how you want to consume it.

So what's your deal with social media? How do you handle the terrible signal-to-outrage ratio?



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Two Reasons I Haven't Been Blogging Much

— October 12, 2016 (10 comments)
Reason #1: Because the intersection represented in this not-to-scale diagram is very small.

The red circle is the real killer. That shouldn't be a surprise to anyone who has read this blog before. Something about having 2-3 fulltime jobs and only 24 hours in a day. WHATEVER.

I do tend to talk about things on Twitter and Facebook from time to time, so I'm not silent (most of you probably got here from one of those platforms, so you know). There has just been very little I have required a long-form medium for.

But also, there's been Reason #2:
I know. I completely ruined the Venn diagram thing I had going. But you know what? That's what anxiety does it ruins everything and makes you talk in all-italic run-on sentences.

Before you worry about me too much, don't. My anxiety is relatively mild and hasn't lasted for more than a couple of days at a time (I only had one really bad weekend a few weeks ago). I don't even know that it would count as clinical anxiety. I just know that whenever I thought about writing a post on something, my brain shouted, "HERE ARE ALL THE REASONS YOU SHOULDN'T DO THAT, YOU UTTER SCREW-UP!" and then it would launch a 3-hour marathon of Pen-Pineapple-Apple-Pen.

Mainly, I just had to remind myself to focus on my work, take a walk, get off social media, and talk to my three-dimensional loved ones (though not all at the same time). I won't say my anxiety is over, because the triggers are all still out there, but I'm coping all right.

Anyway, I'm just letting you know the blog still isn't dead. It may never be (because where else would I post long-form thoughts?), and it's definitely not dead now.

So. How are you guys doing?

And hey, how do you deal with anxiety when it pops up in your life (for those of you in whom it does)?



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Giveaway winners and the future

— September 09, 2016 (2 comments)
The Izanami's Choice signed giveaway is over, and our two winners have been selected. Congratulations to Jeanna M. and Jackie! I've e-mailed the winners and will send out your copies as soon as I can.

For the rest of you, I know. I'm sad, too. I wish I had signed copies for everybody! But you can still buy your own copy at any of these fine places: Amazon | Barnes & Noble | Indiebound | Broken Eye Books. I can't sign them for you, but maybe some day. Yeah... some day.

So what's up next? Several things:

1) Torment. We're pushing toward our release (early Q1, 2017), so expect to hear more about that as we get closer.

2) I'm working on my own stuff (specifically, I'm plotting the project listed as "Secret Fantasy Project" on the Works in Progress page).

3) I hope to write more in the world of Izanami's Choice, but that's not up to me yet. (In a way, it's kind of up to you. BUY MY BOOK!)

4) I'm obsessively watching my Amazon sales rank, because I heard you're not really an author until you do that.

5) I'm coming up with the next No Thank You, Evil! campaign for my kids.

6) I'm trying to finish Stranger Things before somebody spoils it for me. I mean spoils it more.

All of which means I'm... still doing more than one human should be capable of in 24 hours. Yeah, I don't know how it works either (most of the time it doesn't, I think).

As always, watch this space (or this one, or this one) for what I'm doing, whether any future giveaways surface, or whatever the latest ridiculous thing my kids' said is. And stick with the newsletter to make sure you don't miss any new fiction I have coming out.

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Izanami's Choice Giveaway, less than 2 days left!

— September 07, 2016 (2 comments)
Right, folks, if you haven't already entered to win a signed copy of Izanami's Choice well... I'm sure you have a good reason.

If you don't have a good reason, best sign up right now, sirs and madams!


And I'll tell you what. As I write this, there are 200-some entries in the contest (an "entry" being the number in the form there -- it goes up not only when a new person enters but also whenever somebody uses the form to share the contest on Twitter, Facebook, or elsewhere). If you guys can get that number up to 400, I will give away an extra signed copy.

So for those of you who look at these contests with a cynical eye (like me), you know that every time you share it, you risk lowering your own chances to win. This will help balance that out: share the contest, get more entries, get other people to enter, and it will increase your chances again by throwing another prize in the pot.


How has the release been going, you say? I'm glad you asked, imaginary straw person. In my experience, having never launched an actual book before, it's been great. And I am in no way unqualified to say that!

(Really, I have a very limited view. Those who have read the book and told me about it have loved it. The book's Amazon sales rank has been a nice, nigh-horizontal line instead of the jagged mountain range it was in pre-order. And John Scalzi even let me borrow his blog for a day. So... good? I guess? This is probably why authors don't talk about this stuff....)

Also, I've received another review, this one from author S.J. Paponas. Here's an excerpt for those of you who are still undecided as to whether or not this book is for you:
I’ve always wanted to write a Japan alternate history book and now I don’t have to because Adam Heine did a wonderful job with IZANAMI’S CHOICE! Rich with culture and tradition, he wove androids into early 1900s Japan and IT MADE SENSE....

The pace of the novella kept me reading furiously all the way to the end. I even read it while I WAS IN JAPAN! And that was such a treat. Itaru’s own demons about a mission gone wrong and his estranged daughter came to a thoroughly satisfying conclusion, and I especially loved the final scene which was a great nod to the samurai way of life.

This was the first book I’ve read by Adam Heine, but I’m sure it won’t be the last.

I know it sounds like I'm only showing you the good reviews, but the truth is I haven't seen a bad review yet. Seriously.

And for three bucks? There's really no reason not to try it out.



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