Why Book-to-Movie Adaptations Are So Freaking Hard

1. Because you're squishing a whole novel -- which, if adapted scene-for-scene would be about 4-8 hours -- into a tiny, tiny 2-hour box.
2. Because you're turning words that can describe anything into pure sight and sound. If the characters don't say it or do it on-screen, it never happened.
3. Because you're taking the individual interpretations of thousands of readers and saying, "No, actually, this is what it was like."

All of which guarantees somebody will be unhappy. Honestly, I'm shocked whenever an adaptation is actually good.

Although admittedly, sometimes even a really bad adaptation can get me to read the book.

What's your favorite book-to-movie adaptation? What's your least favorite?

Other than Lord of the Rings (which was nigh-PERFECT), I thought they did a good job with Watchmen. Yeah, they took away Adrian's self-doubt at the end, but I liked how Adrian framed Manhattan instead of a random alien. It was the first time I thought an adaptation actually improved on the source.

My Favorite Anime

I can't believe this blog has been going for nearly 4 years, and I have barely scratched the subject of anime. Well that ends now! Here are my top 5 anime series of all time.

(If you don't know what anime is, start here, though odds are you've already seen it. Apparently, I was watching it as a kid and didn't even realize it.)

(For my top anime movies, please see the entire collected works of Hayao Miyazaki.)

#5 Samurai Champloo
Genre: Hip-hop historical fiction, samurais
Premise: Two rival master swordsmen are rescued from execution by a teahouse waitress, who makes them vow to help her find "the samurai who smells of sunflowers."
Why I like it: Awesome fight scenes, unique liberties taken with the Edo period, and hilarious banter between the two swordsmen.

#4 The Vision of Escaflowne
Genre: Science fantasy, mechas, dragons, steampunk future-telling devices
Premise: A girl gets transported to the magical world of Gaea, where she must use her psychic gifts to help a dispossessed prince fight off an evil empire.
Why I like it: Mechas, dragons, and clever questions on what it means to know and change the future.

#3 Neon Genesis: Evangelion
Genre: Science fiction, mechas, metaphysics
Premise: A teenager is recruited as an elite mecha pilot by his estranged father, to protect the Earth from a series of increasingly-deadly "angels."
Why I like it: Mechas and clandestine gov't organizations
Why it's not #1: Cuz the ending is weird, man. Really weird.

#2 Naruto
Genre: Fantasy, ninjas
Premise: A ninja orphan, shunned because of the monster that was sealed inside him at birth, is determined to become the greatest ninja in his village.
Why I like it: Ninjas, clever tactics and strategies, ninjas, like a hundred characters with backgrounds and motivations that matter, ninjas, ninjas, ninjas
Why it's not #1: Because it's at 477 episodes (and counting). About a third of those are filler.

#1 Cowboy Bebop
Genre: Science fiction
Premise: Spike and Jet travel the solar system, scraping a living as bounty hunters.
Why I like it: Witty banter, smart characters, mysterious pasts, a tight storyline from beginning to end, and one really smart corgi.



Keep in mind there are lots of series I haven't seen (Fullmetal Alchemist, for example, would probably be on this list, but I've still got over 20 episodes to go!).

What's your favorite anime? And if you don't have one, why aren't you watching Cowboy Bebop right now?

Does Social Media Affect What Books You Buy?

A little while ago, The Intern had an interesting post on how much (or how little) social media promotion efforts affect sales. She challenged her readers to take a look at how many books they'd bought because of social media efforts vs. traditional methods (like, say, word of mouth).

So I did.

 

Of the books I've actually paid money for since 2008:

• I chose 45% because I knew the author (meaning I had read one of their books before and liked it).
• I chose 35% because of word of mouth (meaning a trusted friend told me I should read the book).
• I chose 20% because of social media (meaning I discovered the book independently, from twitter, facebook, blogs, book trailers, etc).

I thought that might be a little misleading, since many of the books in that first category were purchased after I discovered the author via other means (for example, after I discovered Brandon Sanderson and read MISTBORN, I bought three more of his books). So I looked at how I discovered these authors.

Of the authors I've discovered (and bought their books) since 2008:

• I heard of 70% from word of mouth.
• I heard of 30% from social media.

So does social media work? Well, it worked for me, but there's one statistic I haven't mentioned. Why did I choose 2008 as my cut-off? Because I wasn't even on social media before then. Before 2008, 100% of the books I purchased were authors I knew or discovered by word of mouth.


So does social media work for reaching readers? I think it's a starting point. But I don't think it's worth plunging hours and hours and days into.

I do think it's a fantastic tool to network with other writers though. I got my ill-fated referral that way, along with some of the most awesome critique partners in the business. And Jay Kristoff recently blogged about how both Beth Revis and Scott Freaking Westerfeld discovered him and offered to read his book for a possible blurb (which upsets me, because I wanted Scott F. Westerfeld to blurb my novel, but I guess you have to have a book deal first).

Man, this publicity stuff is complicated. Does it ever work? What do you think?

Books I Read: Nowhere Girl

Title: Nowhere Girl
Author: A.J. Paquette
Genre: Middle Grade
Published: 2011
My Content Rating: G

Luchi Ann is an American girl born in an obscure Thai prison. Her mother was an inmate, but when she passes away, Luchi has to go out into the world for the first time. Her fair skin and blond hair mark her as a foreigner, though Thailand is the only home she's ever known. It takes a long journey through Thailand and overseas to discover who she is and what secrets her mother was keeping.

I love this book. I'm not usually one to care about prose, but this is beautifully written. I love the way Ammi-Joan (yes, that Ammi-Joan) uses comparisons everywhere that don't just describe a thing, but also reveal what Luchi is feeling, and also also connect everything to frigging everything.

And as a foreigner living in Thailand, I felt she got the people spot on: the caring grandmother, the kind relatives who still worry about saving face, the well-meaning (but sometimes deceitful) cousin, the girl who is perfectly nice to your face -- and means it -- but is also ripping you off because you're a farang.

I loved all these characters, I feel like I know them (or, in some cases, am related to them by marriage). Shoot, Ammi-Joan even made me want to visit Bangkok again, which is not a feeling I normally have.

If any of that sounds even vaguely interesting to you, go read this book.

How Pirates Are Born

(Again, because I actually write about pirates, I have to specify that I'm talking about the lame kind of piracy today, not the swashbuckling kind. I will, however, use the swashbuckling kind to make my point.)

Before I get into this, understand I am generally against piracy. This is not a post about why piracy is okay. This is a post about why it happens, and what can (and cannot) be done about it.

So, say media producers -- Random House, NBC, Nickelodeon, Blizzard Entertainment, etc. -- are the governor, and their media is their smart, beautiful, confident daughter. Like any father, the governor wants his daughter to marry the right man, and he'd rather not have to pay a pirate's ransom to do it.

Consumers, then, generally fall into three categories: pirates, commodores, and Will Turner.

THE PIRATES
Real pirates don't actually care about the governor's daughter. They just want the ransom. The governor goes to great lengths to protect his daughter from these ruffians -- sometimes even making life more difficult for law-abiding citizens -- but in the end, if Captain Jack Sparrow really wants to kidnap and ransom her, he will.

These are the guys who will always rip off your media and distribute it for free (sometimes even if it's free already!). It doesn't matter what DRM or geo-blocking you put up, or where you release it, they can and will get their hands on it. These are the guys that make DRM almost worthless.

Fortunately, they represent a very small percentage of Actual People. Also fortunate: because they're never going to pay for your stuff anyway, they don't count as lost sales. That means media producers can effectively ignore them. Seriously, your daughter is fine, just pay the ransom and move on.

THE COMMODORES
Of course the governor wants his daughter to marry the commodore. He's wealthy, has a good title, and most importantly, he always obeys the law.

It's the same in the media world; the commodores will always obey the law and terms of service you provide. They don't know what torrents or VPN services are, and they don't want to know.

Unfortunately, like real pirates, commodores represent a very small percentage of the population.

WILL TURNER
Will is a really nice guy. He's honest, strong, he works hard, and he hates pirates.

At least, he used to hate pirates, until the governor's daughter disappeared. When he asked the governor about it, the governor just shrugged and shook his head. So Will did the only thing he could do: he turned to the real pirates for help.

I think media producers would like to believe that most people are either pirates or commodores. Unfortunately, that's not true. Most people -- I'm thinking 80% or more -- are Will Turner. We don't like pirates. We don't want to be pirates. But at the same time, we really, really love the governor's daughter, and we'll do anything to see her.

If the media Will wants is available for a reasonable price, then he doesn't have a problem. But when his favorite TV show is geo-blocked, or the eBook costs more than the paperback, or the movie isn't released in his country, it forces Will to choose between the governor's daughter and the obscure ethics of copyright infringment.

And since Will is just a humble blacksmith, and there are a lot of fancy words in those terms of service, he usually ends up infringing.


SOLUTIONS
Once someone pirates one thing, the ethics get fuzzier. The software is still on his computer, and downloading twenty movies is as easy as one. Will's unlikely to turn into a full-blown pirate (since that requires some savvy), but he probably won't see things the same as the commodore again.

What can media producers do? Provide the same service as the pirates, or better.

One of the most common reasons for digital media to be blocked from certain countries is a fear of piracy. "You can't release in Russia! You're just asking to be pirated!"

As game developer Gabe Newell discovered, that is ridiculous. The real pirates are masters of distribution. What you geo-blocked for US only, they have released to the world. Yesterday. When you don't release something in a foreign territory, you are only removing the pirates' competition.

But the pirates are not hurting your sales. What hurts sales is when Will Turner goes to your website or walks into the store looking for a legal copy and is told he can't have it because he lives in Russia or Thailand or Canada (seriously, guys, you're geo-blocking Canada?).

Will Turner (points at self) is your fan. He's willing to sit through commercials or pay a small fee to consume your work legally. Will wants to support you, but you have to give him the option!

When you force people to choose between pirating a show or not watching it at all, many will choose piracy. Your terms of service just aren't as attractive.

So You Want to Kill a Character...

Sometimes characters have to die. Because facing death makes people do crazy, vengeful, courageous things, and when we need our characters to be crazy, vengeful, or courageous (etc), sometimes killing their mom/best friend/cute guy they just met/dog is the best way to do it.

But it's really hard to kill a character. We love these fictional people that exist only in our heads. We don't want to kill them.

For me, this is just one more reason I plan. When I'm outlining, the characters are just pieces of a game to me. I don't really kill them, I just take them off the board. I'm like fricking George Martin, slaughtering characters left and right until there's hardly anyone left to denouement with.

But when I'm actually writing the draft, they're no longer game pieces. They're people, with feelings and hopes and dreams, all of which I'm about to crush with a single, over-written sentence. I could bring them back, sure, but I'd have to cheat. Some readers might be happy their favorite character didn't really die, but others would feel ripped off.

So I think, "Does this character really need to die? Can't I keep them a little longer?"

As it turns out, that's a good thing. It forces me to re-evaluate whether I was just going crazy in my outlining phase. It dials me back from George Martin to, maybe, Joss Whedon -- to killing one or two characters who really, truly have to die to serve the plot. (Though usually I do end up sticking with the outline.)

How about you? Do you kill characters? How hard is it for you?

The Thing about Rue and Racism

So, a little background. The Hunger Games movie came out. In it, Rue was black. Some people were shocked, confused, and even upset.

Others, understandably so, were shocked and upset at the people who didn't realize Rue was black. It says so on pp. 45 and 98 of the hardcover edition:

[p. 45] ...a twelve-year-old girl from District 11. She has dark brown skin and eyes, but other than that, she's very like Prim in size and demeanor.

[p. 98] ...the twelve-year-old, the one who reminded me so of Prim in stature. ...She has bright, dark eyes, and satiny brown skin...

So, clearly, the first group was wrong. Rue is black in the book, and rightly so in the movie. To be upset about it (or to say it "ruined the movie," as at least one tweeter said) is not only ridiculous, but wholly and completely racist.

I have a confession, though: When I read the books, I thought Rue was white too.

Is that racist? It's certainly indicative of the white, privileged way I was brought up. People tend to visualize characters as like themselves, and none more than the privileged classes.*

Maybe I'm a bad reader. I do tend to skim descriptions a lot, especially if they aren't critical to the plot (e.g. Rue's skin color never affects plots events or Katniss' feelings for her, as opposed to say White Cat, in which the MC's skin color is part of a minor con toward the end).

But racist or not, when I saw that Rue was black, I didn't go, "What? That's ridiculous!" Instead, I thought, "Oh. How did I miss that in the book?"

This is part of how racism is solved, I think. I went back to the book and discovered I had skimmed over the "brown skin" part in favor of the part where Rue was "like Prim," thus making her like Prim in my head. Whether that was racist or not, I know to pay more attention in the future.

I learned.

And here's the thing, all those people who tweeted their racist anger can learn too. Even though I understand how they missed the cue, I was pissed at the horrible things they said. But getting pissed doesn't solve anything.

At the end of the article, it mentions that most of those people have shut down their Twitter accounts or made them private. I assume I wasn't the only one pissed at them. I do hope they can see past the hate they received and learn from it, but I fear they won't.

Because people don't listen to words spat in hate. They just don't. If we want to fix racism, we do need to point these things out, but we need to keep our anger in check. If we don't, then we're as much a part of the problem as they are.

Racism isn't killing us. Hate is.

What do you think? How does this make you feel, and what can we do about it?

* For the record, I think the fact I missed Rue's skin color is racist in the subtle, subconscious sense. While I hope we solve that level of racism someday, I'm more interested in solving the part where people turn into seething rageballs of hate.