Izanami's Choice Launch Day and Giveaway!

— September 01, 2016 (0 comments)
It's here! It's here! Today is launch day for my little samurai sci-fi story Izanami's Choice. E-books have been making their way to people's inboxes, and I've even heard news of paperbacks in the wild. You've bought one, right? Why haven't you bought it yet?!

Here are some of the nice things people have been saying about it so far:
"Choice is a ferocious little genre blender in book form: part Hammett novel, part Kurosawa Samurai epic, part Blade Runner, and entirely obsessed with keeping the reader’s eyes moving from one page to the next." ~ Seattle Weekly

"Once I started the book, I couldn’t put it down.  Heine does a great job of building a world replete with rules and history and uses both to construct a mystery with an awful lot of intrigue and surprise." ~ Nerds on Earth

"So if Science Fiction action and exploring cultures through different phases in time is something you enjoy, this is worth a read." ~ SF Reader

"The writing is spectacular, there's fantastic use of period-fantasy-language, and the story is tight, enthralling, and leaves you wondering what's *really* going on right up until the end." ~ Susan Kaye Quinn

"Mr. Heine did an admirable job of making his robots (Jinzou) both sympathetic and terrifying." ~ Victoria Dixon (with interview)

"If you want a really fun, fast-paced robot vs. samurai story then I really think you'll enjoy this." ~ Elena Robertson

And if you can't get enough info (and I'd like to think you can't, because I'm unrealistically optimistic), here are a couple more interviews from the fabulous Natalie Whipple and Authoress. (For you writerly types, Authoress is also running a contest in which you can win a 30-page critique from me, so check that out, too).

But wait! I promised to give away signed copies! To enter the giveaway, all you have to do is subscribe to the newsletter and fill out the form below. I'm very nice to my subscribers -- I give them free excerpts, advanced notice of fiction and giveaways, and I've hardly killed any of them at all!

If you're really ambitious, you can earn additional entries by sharing the giveaway on Facebook or Twitter -- every day, if you want!

This contest is open worldwide. I'll sign 'em and ship 'em anywhere.




I'm offering two signed copies at the moment, but if enough people enter, I'll give away more. So don't hesitate to tell everyone!




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Robots in 1901 Japan?

— August 29, 2016 (3 comments)
Izanami's Choice comes out in three days. So for the next 72 hours or so, this is me:


Interviews and reviews are trickling in, with more due to appear around the release date. Seattle Weekly loved it, calling it "a ferocious little genre blender in book form: part Hammett novel, part Kurosawa Samurai epic, part Blade Runner, and entirely obsessed with keeping the reader’s eyes moving from one page to the next."

Nerds on Earth said, "Heine does a great job of building a world replete with rules and history and uses both to construct a mystery with an awful lot of intrigue and surprise."

I'm not even kidding! They actually said those things!


On release day, I'll be giving away two signed copies of the book. There may be other giveaways going on around that time too, so watch this space for more info. (Watching Twitter space or Facebook space will also get you what you want). UPDATE: Oh, look! Here's one of them now: a chance at a 30-page critique.



So in Izanami's Choice, Japan has functioning robots and machine intelligence as early as the 19th century. I was recently asked how the heck that's even possible. After all, in our 1901 computers didn't exist then, and things like simple radio technology were still very primitive.

First of all, it should be noted that Japan has had actual automata as early as the 17th century. Karakuri puppets are relatively simplistic  compared to the creations in Izanami's Choice, but it shows the idea of Japanese robots is very old -- much older than the timeline of my novella.

As for machine intelligence, well that's where science fiction comes in. It's primarily a combination of two what-ifs:
  1. What if Charles Babbage had successfully completed his difference engine and analytical engine designs? (This is essentially the same what-if behind The Difference Engine by Gibson and Sterling).
  2. What if evolutionary programming were discovered around the same time?
The latter would require a variety of factors, like Babbage chatting with Charles Darwin and coming away with programmatic ideas, and 19th-century logicians figuring out how to codify reasoning as mathematic deduction -- not probable, but plausible.

Evolutionary programming is the idea of pitting competing parameters or programs against each other to achieve a certain goal (like getting a computer to handle facial recognition). Those parameters that perform best are then modified further and tested against each other again. This process is repeated until you have a programmatic solution to otherwise difficult problems.

The key idea behind Izanami's Choice, then, is that this method was used with the analytical engines to rapidly improve the design of the engine's programs and even the engine itself. The engine was improved to the point where it could evaluate the results automatically, and then it was improved further to where it could revise the programs itself as well. When that loop was closed, the engine would become capable of revising and improving upon itself at a rapid rate -- a robotic singularity.

Of course the novella doesn't have a big old infodump like this in it, but I do love talking about world-building!





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No Thank You, Evil!

— August 22, 2016 (2 comments)
I consider the age suggestions on the sides of game boxes to be total lies. Boss Monster (13+) is one of my 9-year-olds' favorite games to play on their own. My 6-year-old daughter kills at Love Letter (10+). One of my sons, when faced with an inevitable loss at Star Wars Risk (10+), blew up his own planet so the rebels would either have to call the game or spend another hour of gameplay going around the long way. He wasn't pouting. It was a carefully thought-out tactic.

He was 7 at the time.

So of course I try to get these kids into role-playing. Unfortunately, most RPGs have a lot of rules which, although my kids are capable of learning them, make playing the game kinda like wrangling velociraptors.

"You can't cast fireball. You don't have any material components or enough 3rd-level slots to.... Fine, you cast the spell."

Numenera's story-focused rules are great for kids, but the Ninth World is kinda creepy, and homebrews, although fun, are a lot to keep track of.

So when Monte Cook Games announced they were doing a kid-focused RPG, based on the rules of Numenera, I knew I was in. No Thank You, Evil! is the perfect game for our family.

Part of that, admittedly, is that my kids are ridiculously amusing to GM. They're fearless to the point of idiocy (requiring me to come up with clever ways in which to not kill them). They have no in-game morals, so persuading, lying, and attacking are all perfectly valid options (and usually all suggested simultaneously). And most of all they're deviously clever.

Two days ago they were trying to convince a guard they were innocent and should be set free from prison. The guard said it wasn't his job to determine innocence, and that if they were in prison it was obviously because they were bad (the guard was aptly named "Justin Justice").

Later on, a mostly successful escape attempt resulted in the PCs being outside while Justin was trapped inside. "I told you you were criminals!" Justin shouted through the door.

"But you're the one in prison," said Joel. "That means you're bad."

As the GM, I didn't know what to say to that. I didn't say anything for several minutes because I was laughing. Justin eventually tried to argue, but Joel had a point. Justin is still trapped in that prison trying to work it out.

But as amusing as my kids are to GM, it works mainly because No Thank You, Evil! enables their creativity. The game's got rules -- even advanced rules for kids who grow beyond the simple version -- but it encourages players to try crazy things. For example, of the six characters my kids created, only two use corebook character classes, none of them have corebook weapons, and at least three try to use their self-defined abilities to slide past the rules at every opportunity.

Sometimes I even let them, because it's funny.

The thing is NTYE doesn't break when you do this. Everything players try to do boils down to one simple rule: roll a d6 to attempt it. They all get it (a little too well, actually -- I have to keep telling them their rolls don't count until I've told them the difficulty), and they all feel free to try anything at any time, knowing that something fun will happen no matter what.

There are some things I questioned about the game. I thought it was weird to ask my players to describe a character I just introduced, and sometimes I feel like the world is too whimsical for my boys who want quests and villains. But (1) I don't have to do any of that stuff -- I mean, I could make the world all Forgotten Realms if I wanted to -- and (2) it turns out my kids like this stuff.

Like, the whimsy keeps everything light, even though one of my boys threatens everybody he meets (and another doesn't waste his time with threats; he just goes straight to zapping them). The moment I described above with the prison guard occurred after they had befriended, and then betrayed, him to get out. Justin liked them, and they turned on him. It's a dark, almost villainous turn, but Joel found humor in it.

And it works perfectly well within that world.


My daughter hit Justin in the face with a sandwich. It did 1 damage, but he also lost his next turn because, honestly, the sandwich was pretty delicious.
As for asking them to describe people, what a time-saver! I'm starting to think I should do this with grownups, too. I didn't have time to detail a full adventure for our most recent session, so I asked them to describe the main villain and name several characters (hence the name Justin Justice). They love it, and it's less work for me!

When I GM adults, I feel like there's a lot of pressure to either have everything prepared or to think quick on my feet. I no longer have time for the former, and I'm terrible at the latter. But my kids don't care! If I stumble on a plot point, they start yelling out ideas. Sometimes I even run with them because they're so crazy I just want to see what happens. It's true collaborative storytelling -- the best part about role-playing.

So, hey, if you're a gaming parent who's been looking for a family-focused RPG, maybe check out No Thank You, Evil. You might be surprised what comes out of your kids' heads.




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Why "It's Just a Joke" Doesn't Make It Okay

— August 10, 2016 (1 comments)
I had a little rant on Twitter earlier. It's primarily in response to Donald Trump's terrifying implication that maybe 2nd Amendment people can "do something" about Clinton, but it's also build up from years and years of online death threats to people followed up with "that's just the internet" and "geez, it's just a joke."

What's terrifying about Trump's joke is not the joke itself, but the fact that so many people are nodding along, the fact that he says crap like this all the time, the fact that he could conceivably be our next President, and...

Well here's what I said on Twitter.


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Izanami Auto-Fan Art

— July 06, 2016 (5 comments)
The inestimable K. Marie Criddle forced -- forced -- me to draw fan art for my own book.* So here you go, a non-canon** drawing of Shimada Itaru facing off against I dunno let's call it one of the police droids. Click to embiggen.


* The means of forcing was that she chose "Izanami's Choice" as the topic for our drawing blog Anthdrawlogy. You can see hers and other drawings over there. Please do. Those guys are way better than me.

** Itaru carries a folding sword, not a regular sword. I wasn't thinking about that until I had already started inking. Go me.

If you don't know what I'm talking about, you should definitely buy my book.



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Izanami's Choice release date and pre-order info

— June 20, 2016 (3 comments)
Here we go, guys. Izanami's Choice has a release date! It will be available for purchase on September 1st, 2016.

Or -- because you want to support an author, or you don't want to forget, or you just like clicking links -- you can pre-order it RIGHT NOW:


And now for answers to some common questions.

Q: Why am I only finding out about this now?!
Clearly you haven't subscribed to my awesome newsletter. If you had, you'd have known this over a week ago AND gotten an exclusive excerpt from the novella AND gotten the free short story that everyone gets on subscribing.

But don't worry -- that won't be the last exclusive my subscribers get. Obviously, the only reason you aren't already signed up is because you didn't know about it, so you can remedy that by subscribing to the newsletter right now.


Q: I want samurai sci-fi today! Why so long?
Because publishing.

Seriously, the awesome people at Broken Eye Books have good reasons for how they set the date, including but not limited to:
  1. The anguished howls of the deprived fuel machines buried deep beneath their offices, which in turn get them 20% off their electricity bills.
  2. An old woman told them September 1st would be the first time in 500 years that the moon would be in conjunction with both Mars and with Voyager 1. They believed her.
  3. September is my birth month and they wanted an excuse gift in case they forgot to get me a real one.

Q: I want to interview you and/or review your book for my followers/blog readers before it comes out.
Awesome! I would love to talk to you about that.


Q: But I don't want my paperback from Amazon.
Great! You can get the paperback directly from the publisher if you want.

Also, if you give your local bookstore the ISBN, you can buy it through them:
  • ISBN-10: 1940372216
  • ISBN-13: 978-1940372211



Q: Why paperback so expensive, man?
Yeah, so, here's how part of publishing works. There's the Big Guys -- the publishing houses like Penguin and Random and Penguin Random -- that do these enormous print runs and ship them to all the bookstores in the world. They can do this because printing thousands of books is way cheaper than printing a few, and because they know they'll sell thousands of books (or close enough) so why the heck not print that many?

Everybody else -- small presses, indie authors, and even Amazon -- has no guarantee of how many will sell and can't afford to print thousands of books only to be stuck with them later. So everybody else has to print paper books on demand which, as you might imagine, is more expensive.

But at least that way they don't get stuck with lots of books and debt. Because as cool as it is to make a hobbit-hole of books, it's cheaper (and more structurally sound) to not be stuck with them and to build your hobbit-hole out of dirt and bricks like a regular person.

Hobbit.

Whatever.


Q: I have a question that you neither answered nor anticipated.
To the comments, good madam or sir!


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The great paperwork coup

— June 16, 2016 (2 comments)
Anyone remember the coup? Probably not. It's pretty boring, and the news is filled with far more interesting things. (Though I'm sure life under the junta is more interesting if they think you're making trouble.)

For our children's home, it's meant paperwork requests at inconvenient times, lost paperwork at any time, and surprise government inspections (well, one inspection -- fortunately I was dressed at the time).

This week, it meant this fun enactment, while applying for my yearly visa extension:
Immigration Official: Sorry, you need a new document this year from your district office.
*goes to district office*
DO Official: We can do that, but we need this document that you left at home.

 
*comes back the next day with missing document*
DO Official: Now we need this other document from city hall.
*goes to city hall*
City Official: We can't do that at all. We could do this instead, but you either need to go back to America or get this document certified by the consulate.
*goes to consulate*
US Official: We can do that, but you need an appointment. Come back Tuesday.


So what's life been like under the coup so far?

WORST.
FETCH QUEST.
EVER.


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The States of Things

— June 07, 2016 (4 comments)
Torment:


New part-time project:


Izanami's Choice:


Currently playing:

SpeedRunners
Ultimate Chicken Horse
Shadowrun: Dragonfall - Director's Cut

Current mood:

Currently answering questions in the comments:





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Izanami's Choice cover reveal

— May 18, 2016 (0 comments)
If you follow me on social media, you may have seen this, but it's important that it's here. So behold! The cover for my upcoming samurai sci-fi novella IZANAMI'S CHOICE! CLICK TO EMBIGGEN!


And here's proof that I'm not just making this up (that's not my hand, though -- so I guess my editor could be making it up):


I love what they've done here -- the droid legs, the sword, the bloody kanji characters, the part where my name's on the cover. It's all just great.

I don't have a date for release yet, but I'll let you know when I do. It should be soon. If you want to make sure you don't miss it, sign up for my newsletter here. I haven't actually sent out a newsletter (because I promised only useful information), but as soon as there's a date or a pre-order link or something, you'll get it there.

There may also be another pretty picture I get to show you later. We'll see!

For those of you unable (or too lazy) to embiggen, here's the back cover copy:

Samurai vs. Robots

Progress. Murder. Choice.

In 1901, the Meiji Restoration has abolished the old ways and ushered in a cybernetic revolution. Androids integrate into society at all levels, following their programming for the betterment of every citizen, as servants, bodyguards, and bureaucrats. Jinzou are the future. Japan is at the threshold of a new tomorrow!

As a ronin steeped in the old ways, Itaru wants nothing more to do with the artificial creations posing as human. But when a jinzou is suspected of murder, he's pulled into a mystery that could tear the nation apart.

Malfunction or free will? When is a machine more than just a machine?



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How do you write a good twist?

— May 10, 2016 (0 comments)
Phil says:
I'm writing a sci-fi story as part of a game, and one thing I'm having trouble with is how to gracefully drop hints of an upcoming twist.

One character is set up so that everyone assumes he is a villain; the midpoint twist shows that he's actually just misunderstood and trying to survive; he actually has a lot in common with the player character.

I want to drop hints of this fact earlier on in the game. I think I can do this without it giving away the twist, but I'm worried that players will assume the apparent contradiction is due to sloppy writing rather than building to something intentional. Is there anything I can do to help readers embrace the ambiguity rather than try to resolve it too soon?

There are few things more satisfying than blowing someone's mind with a good twist. Done right, it'll stick in the player's (or reader's) head, making them need to talk about the story for years to come.

Done wrong, it's lame. If the hints are too obvious then the twist is predictable. If they're too subtle, it can feel like a deus ex machina. Achieving the balance between the two is super tricky for two reasons:

1. You are always too close to your story. It's almost impossible to tell what clues a reader will or will not pick up on when you know what they all are and what they point to. Everything's so obvious to you, so you keep things super subtle. Or you over-correct and make it too obvious. You can't win.

2. It really, really depends on your audience. Ever notice how kid's stories are more predictable than adult stories? That's not because kid authors suck. The opposite actually: they know their audience and are really good at writing for them. They know what tropes kids are familiar with, which is far fewer than most adults.

(Which is not to say you can't write a kid's story that subverts the tropes. You most certainly can.)

It's not just age-dependent either. Someone who has never seen a sci-fi/fantasy movie in their life might be completely blind-sided by a Chosen One or its many subtropes.

So what's the best way to find this balance? I'm gonna say it in really big words, because it's pretty much the same solution to all writing problems.

ALCOHOL

No, wait, that's not it. It's

CRITIQUE AND REVISION

You are too close to your story, so get others in your target audience to read or play it. Fresh eyes will help you nail down where the story is working or not. And if you can get detailed comments as they go through, you can even see where they start to guess things and what those guesses are.

For a game, I'd recommend writing up the story as a synopsis first -- revealing information as the player would discover it -- and running that by a few people. (Unless the game's playable, of course, then running that by people might be more useful). It won't be perfect, but it'll get you closer than you can get by yourself.

And perfection's not the goal anyway. No matter how many eyes and how much revision you get on a thing, there will always be people who see the twist coming and people who think it dropped out of the blue (although the latter seems less egregious to me, which suggests you might want to err on the side of too subtle rather than too obvious). The point of getting fresh eyes is to get perspective, not perfection.

"But won't the twist be spoiled?"

For your early readers, yes. But they know that's the deal for getting an exclusive look.

For other people? Maybe. But that kind of spoiler leakage only really matters if you're writing the next Empire Strikes Back, which -- if you are -- I'm flattered you would ask me how to do this. But also if you're at that level in your career, you've probably had enough practice twisting stories that you have a feel for the balance of it by now.

That's another trick, too: practice, practice, practice. Until then? Critique and revision.

Anyone else got tips for Phil? Tell him in the comments!

-------------------------------------------

Got a question? Ask me anything.



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The Best Dr. Strange Gif

— May 02, 2016 (1 comments)
Maybe there are better Dr. Strange gifs out there, but if so I have not seen them. (Also this was ridiculously hard to find for my sister, so I'm intentionally trying to increase its SEO a little).


Random SEO crap: Benedict Cumberbatch animated gif jumping leaping flying funny hopscotch harry potter anchorman avengers dirty dancing pokemon eaten by a shark SEO's a thing right I'm not just making this up? oh god what if i am what if people are reading this who am i and what have i done with my life oh look there's cake in the fridge!

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Izanami's Choice excerpt and update

— April 14, 2016 (3 comments)
The fine folks at Broken Eye are working on the last edits for Izanami's Choice. Next steps after that are me addressing the edits and then all the fun stuff they get to do to finalize the whole thing and make it a For Real Book.

There's also a cover coming. Watch for that.

Izanami's Choice is my samurai, sci-fi novella set in a Meiji-era Japan that has adopted androids and other ridiculously advanced technology. Here's an excerpt:
The droid was a newer model. It did not wear a wooden mask, nor was its face made of metal widgets that moved to imitate emotions. This thing's skull was covered in a molded synthetic material. The corners of its lips moved up and down in a remarkable caricature of a human hoping to make a good impression. If Itaru were not standing so close, he would've taken it for a human in the darkness. Up close, however, the synthetic features looked fake and unnerving. "What the hell are you?"
The droid bowed deeply. "I am called Gojusan. My full designation is Service Droid I-Ka 53."
"I-Ka?" Itaru had heard of that model, but he'd never seen one up close. The first droids had been western imports using English letters as designators. When Japan constructed their own master machine intelligence—the fourth in the world and the only one in Asia—they used katakana characters for the designs it produced. I-Ka was approximately the eightieth designator in only thirty years.
They're evolving too fast.
"Hai, Shimada-sama." The droid's oversized eyes flicked behind Shimada into his house and back again.
Itaru stood up straight, anxious to get rid of the machine. "What is your message?"
It looked down, seemingly embarrassed. "With great apologies, Shimada-sama, my message must be delivered privately." It gestured inside and bowed once more.
Itaru shivered uneasily. The jinzou's behavior bothered him more than he'd like to admit. He decided that it was simply too new, that he'd never met one like it before. "Fine," he said, grabbing his tamiken from the shelf as he stepped aside. "But make it quick."
The droid bowed again, removed its sandals—it wore socks underneath—and stepped politely inside. "I apologize for bothering you at this hour."
"You said that," Itaru snarled.
The droid clasped its hands at its waist, looking at the door and back, as though it wanted to flee but had decided against it.
Ridiculous. Droids didn't act like this. They followed their orders and programming. If a droid pretended to have feelings, it was because of a human’s order. Either Count Kuroda-sama had given this droid very specific—and strange—instructions or Gojusan's programming was remarkably advanced.
But what purpose would it serve to have a droid act nervous? To set Itaru at ease? It was failing at that. Everything about this meeting made his skin quiver. "State your message. What does Kuroda-sama want?"
It looked directly into Itaru's eyes. "My master is dead."
The full novella is coming soon! If you want to know the moment it comes out, subscribe to the newsletter or follow this blog.



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Izanami's Choice -- a story about samurai, robots, and AI singularities

— February 25, 2016 (4 comments)
I've been head down writing Torment conversations, but I have an important announcement to make: my new novella, Izanami's Choice, is coming soon from Broken Eye Books.

It's a book. That you can buy. About samurai and robots in a cybernetic Meiji-era Japan.

If any of that sounds remotely interesting to you, I recommend you sign up for my newsletter so you'll know when it comes out.

Not sure? Read on!

Tokyo, at the dawn of the 20th century. The Empire has gone through an industrial and political revolution. The samurai are a thing of the past, railroads connect every major city, and the artificial jinzou serve in every aspect of Japanese life, from servants to soldiers to assassins.

Shimada Itaru is an aging ronin, a survivor of samurai rebellions from the early days of the Meiji Restoration. He hates the jinzou, but he knows quite a lot about fighting them -- or he did, before the Emperor made it illegal for humans to carry weapons.

Gojusan is a jinzou framed for her master's assassination. Hunted by her own kind, and unable to turn to the police, she runs to Itaru for help. Before Itaru can throw the jinzou out, assassin droids storm his home, trying to kill them both. Now Itaru's on the run with the thing he hates most, and the only way he's going to get his life back (such as it was) is to figure out what really happened to Gojusan's master.

Of course, the truth is something neither of them suspect.


I'd love to say more, but Torment! Conversations! (Seriously, I need to get back to work if I'm going to make my deadline). Sign up for the newsletter or subscribe to the blog for more information in the near future.

You can also ask me questions, if you like. I'll get to them when I can. (Yes, I'm busy, but sometimes answering questions serves as a nice break. So don't be shy.)


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Want a free story of mine?

— February 03, 2016 (3 comments)
Want to read a free fantasy story of mine? One you've never read before? I have one for you.

There's a string: you gotta sign up for my mailing list.

But hold on, because there's a better string attached to that string. Once you're on that mailing list, you'll be notified the moment there's new Adam Heine fiction to read.

And there will be new fiction to read. I can't officially say much yet, but you may recall me hinting about a novella? It's coming. Maybe more than that is coming. We'll see!

If you want to know when I've got something new out, or you want to read a new fantasy story, or you just like to sign up for stuff, then sign up for the mailing list now!


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Torment Beta is going live

— January 21, 2016 (4 comments)
As you read this, either the Torment Beta is live or it will be very soon. A few thousand of our backers (everyone who pledged for it) will get to play the opening and first major location in the game I've been working on for over three years.

Better than that, the Beta will go public on Steam Early Access next week. Anyone -- even you -- can see what I've been working on, and why I haven't talked much about writing (or anything really), for so long.

Am I excited? You bet. I love creating, and I hate not being able to show people what I'm creating. It's about time.

Am I scared? Not as much as you might think. I was scared before the Alpha Systems Tests went out, because Torment is not a typical RPG, and I wasn't sure what people would think of it. But the Alpha backers got it. They read thousands of words, made tough decisions, and they got it.

The Beta has its rough edges that I'm sure we'll get comments on, but the stuff that really makes it Torment -- the art, the writing, the characters, the choices -- that's the stuff I'm least worried about. It's all in there. A lot of the remaining work is prettying up the package.

So, yeah, if you want to see what I've been working on all this time, check out the Steam Early Access release next week. Or, if you can't wait -- or you're not sure whether epic reading, tough choices, and dying Earth fantasy is your thing -- then watch this video, where my boss Brian Fargo and colleague George Ziets play through the first hour of the Beta. Enjoy.


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Accomplished this year; expect to accomplish next year

— January 01, 2016 (3 comments)
My head has been deep in Torment for so long that I feel like I haven't done anything else this year. Turns out I have!
  • The public got to see part of that game I'm working on.
  • I got two new short stories published: "The Patch Man" and "Curiosity."
  • I officially met the requirements to be an active member of SFWA (not that I've joined yet, but I can!).
  • I read 11 books. (That's not a good reading year for me, but a couple of those books were part of James Clavell's enormous Asian Saga, and I also critiqued a couple of novels).
  • I went to PAX, had breakfast with Pat Rothfuss, and even spoke to people.
  • I wrote a novella.
  • I have a new novel on sub.
  • And in my personal life: our blind daughter started school, we finally made progress in getting our paperless child an ID card, I fell in love with Star Wars again, and the teen-formerly-known-as-Sullen is no longer sullen -- she even laughs at my jokes again!
What's coming in 2016?
  • The public will get to see the rest of the game I'm working on, and we'll find out whether the last three years were worth it. (Hahaha! I'm just kidding. I haven't had to worry about income for three whole years! What do I care if you like the game or not?)
  • (Still kidding. Please like the game.)
  • You'll probably get to read that novella I wrote.
  • I may finally discover a way to consistently write novels as well as design computer games for a living. Either that or time travel. We'll see!
Also, for your edification, here are a couple of things I loved in 2015 that I want you to love to. I'm deliberately trying to focus on things you might not have heard of.


House of Ivy and Sorrow. A young adult fantasy from Natalie Whipple about witches. I have always loved Natalie's worldbuilding, and I love unique takes on witches. House of Ivy and Sorrow delivers both.




Primordia. A graphic adventure in the classic style of the Sierra *Quest games, with a heavy dose of influence from Planescape: Torment. It's an insanely cool world in which humans are gone and only intelligent -- and surprisingly sympathetic -- robots remain. Written and designed by Tides of Numenera's own Mark Yohalem. If you liked Planescape or Space Quest, you should definitely check this out.


Frostborn. A middle-grade, Norse-influenced fantasy novel from Lou Anders. If Banner Saga were a book about a boy and a half-giantess, this is what it would feel like. My boys loved it. I loved it. I need to get my hands on the sequel for them.




Shovel Knight. A crowd-funded side-scroller in which you play a knight whose primary weapon is his shovel. It's way more fun than that sounds. Shovel Knight is Mega Man and Ducktales and every platformer I've ever loved.


Tales of Monkey Island. If you know Monkey Island, then odds are you've heard of this one, but I only just played it this year. I love it almost as much as the Curse of Monkey Island (being my favorite of the series). My only real problem with it is that there will probably never be a sequel.





What did you love in 2015?


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In which you can read a new story of mine

— December 12, 2015 (4 comments)
On December 21st, there's a new anthology out which includes "Curiosity," my Cthulhu space story you may have heard me mention, alongside stories from several other fine authors -- including Monte Cook Games's Bruce Cordell.

If you have any love in your heart at all, you will pre-order your copy right now!

Super science. Madness. Transhumanism.

This is the dawn of posthumanity. Some things can’t be unlearned.

Gleaming labs whir with the hum of servers as scientists unravel the secrets of the universe. But as we peel away mysteries, the universe glances back at us. Even now, terrors rise from the Mariana Trench and drift down from the stars. Scientists are disappearing—or worse. Experiments take on minds of their own. Some fight back against the unknown, some give in, some are destroyed, and still others are becoming… more.

The human and inhuman are harder and harder to distinguish. Mankind is changing, whether it wants to or not, with brand new ways of thinking. What havoc is wreaked by those humans trying to harness and control their discoveries? As big science progresses and the very fundamentals of this universe are understood, what stories are being hushed up?

Of course, the Old Ones laugh at our laws, scientific and otherwise.

These are transhumanist near-future science fiction tales of the Cthulhu Mythos. These are tales of more than merely cosmic dread. They exist in our world of the next couple years. This is the era of big science and—what is that? We’ll be right back. 


Authors: Desirina Boscovitch, Lynda Rucker, Samantha Henderson, Daria Patrie, Kaaron Warren, Richard Byers, Damien Angelica Walters, Spencer Leary, Joshua L. Hood, Jeff C. Carter, Simon Bestwick, Matt Maxwell, Shannon Fay, Adam Heine, Mike Allen, Darrell Schweitzer, Cody Goodfellow, Bruce R. Cordell, Pete Rawlik, A.C. Wise, Robert Brockway, Nate Southard, Molly Tanzer, Joshua Alan Doetsch, Thomas M. Reid, Clinton J. Boomer, L.A. Knight, Lizz-Ayn Shaarawi, J.M. Rozanski

Editors: Scott Gable & C. Dombrowski



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Writing Status

— October 14, 2015 (4 comments)
Those of you who saw my post about my super ridiculous September may want to know how I made out. Here are where things stand on all things writing and a few other things.

I'm on schedule for Torment. At least I should be. I'm pretty happy with what I've gotten done, anyway!

I wrote a novella. Specifically, I drafted and revised the novella known as "Post-Edo Bladerunner" on the Works in Progress page. It is out of my hands for now. With luck, this will be a thing you can read in the near future. We'll see.

There may be another story for you to read soon. Specifically, this one, but that is also out of my hands. I'll let you know.

Air Pirates is no longer on submission. For those of you who have been reading this blog for a long time, I know this is really sad news. Though honestly it's been nearly four years since I got my agent; Air Pirates has not been on submission for that entire time, but it has been for a lot of it. I'm sure most of you already figured out it wasn't happening.

We got a lot of great feedback on Air Pirates, and at least one editor wants to see more of my stuff (an editor I really, really, really, really, really want to work with). But a lot of people expressed that -- while they loved the world and the characters and the story -- the category and genre of the thing was kind of hard to pin down, which means it would be kind of hard for them to sell.

Air Pirates is not dead. I love that world way too much. There is a major revision in its future (maybe even a rewrite?), but we'll see. What happens to Air Pirates depends on various career things that are out of my control over the next several months. Speaking of which...

Post-Apoc Ninjas is on submission. This novel has had its own bumpy ride, but I have learned a lot of things from the Air Pirates feedback and other soul-crushing critiques, and so I've revised the crap out of it. The result is something my agent loves (and if preliminary feedback on the Post-Edo novella is an indication, the critiques may also have leveled me up as a writer). Now that thing my agent loves is Out There.

Don't get excited yet, though. Publishing is slow, Tricia and I are cautious, and, well... you know what happened with Air Pirates. The point is I'm still writing and things are still moving.

The Thai government is happy with us. Or at least they're leaving our home alone, which in bureaucracy terms is the same thing.

No children died while my wife was gone. Though there was a fractured bone incident, but that wasn't my fault, and I handled the crap out of it.

Though it was a close thing.

Was there anything else you wanted to know?


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Super Late PAX Post

— October 10, 2015 (3 comments)
PAX Prime was over a month ago, but I know several of you guys want to know what it was like. I have more time than I did in September, but I'm still short on it, so I'll do what I can.

As I've said before, I had never been on a panel, or even seen a panel, or even been to a convention before. I knew about PAX, of course -- even when I was separated from all things games, I still read my beloved Penny Arcade and witnessed the birth of their Gamer's Mecca -- but I had no idea what to expect.

But a Gamer's Mecca is pretty much what it is. Hundreds of thousands of geeks pile into Seattle for the weekend. Cosplayers are everywhere. Nearly every Uber to and from the convention is a Mad Max vehicle. Some weird tentacley thing is bursting out of the convention hall annex. Even miles away from the convention center, you might be going to dinner at a nice sit-down place and see Harley Quinn or Fire Emblem's Mia walk out.

It's pretty amazing.

And because everyone's there for a shared love of games (and many of them are introverts too), everyone's super nice. I played games and even had conversations (gasp!) with total strangers while waiting in line for other things. I spent the weekend with my brother and his friends -- also game developers -- and we talked RPGs, industry chat, card game design, and a thousand other topics that I never get to talk about at home.
Other highlights and comments:
  • The difference between AAA exhibitions and indie games is staggering. Watching Bethesda's animatronic Fallout robot or the Dark Souls fountain made me realize just how much more money these guys have than we on Torment do.
  • I discovered I'm much more attracted to the styles and innovations of indie games than the flash of AAA (not that I dislike the flash, mind you, I just found myself hanging in the Indie Exhibition Hall a lot more). Here was one of my favorites: Ultimate Chicken Horse.
  • I got to hang out with (and in many cases meet for the first time) a bunch of awesome game devs, including but not limited to Chris Avellone, Brian Mitsoda, Adam Brennecke, Monte Cook, Shanna Germain, and all the folks on my panel.

  • I had lunch with Pat Rothfuss. Our e-mails crossed paths, so we had only good intentions, but no actual plans to meet. But when my brother and I were in line for PA's live D&D show, I saw a notable bearded man walk past and -- in a truly non-introverted moment -- ran up to him, introduced myself, and made plans for lunch. I know. I'm super proud of myself, too.
The panel itself was both terrifying and really, really fun. Honestly, I would have loved to just sit and talk RPGs with Annie, Mitch, Swen, and Josh without all those people watching. Sounds like an awesome afternoon to me. We talked for an hour about RPGs and the difference between old-school and modern RPGs (and why we tend to like the former), as well as answering some very good questions from the audience.

In case you missed it, the audio for that panel is here.

I would love to go to PAX again, though honestly I don't know what I would have done if I didn't have my brother to hang out with. He and his friends were a huge part of what made PAX awesome for me (heck, half the stuff I said on the panel was stuff that I had said to them in our own conversations).

But who knows? Maybe one day I will.


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Fix All The Things!

— September 09, 2015 (3 comments)
I know some of you want to hear what my time at PAX was like. I intend to write that post, but you'll have to wait a little longer. I have a crapload of work to do, including but not limited to:
  • Write Torment conversations
  • Design Torment conversations for others to write
  • Review Torment conversations others have written
  • Fix a number of problems created by the most recent round of Torment cuts
  • Finish a novella by October
  • Write a newsletter by October
  • Give the Thai government a bunch of documents they asked for while I was in the US (timing, man, seriously)
  • Fix everything that broke around the house while I was gone
  • Parent several children...
  • ...while my wife takes her own trip to the US
So my already ridiculously over-tasked life got turned to 11 for a few weeks. I will tell you about PAX, but not yet (fair warning: I fail at pictures).

However, you can hear me at my panel, wherein I and several awesome designers talk about what makes a classic RPG. There is no video recording, but the audio is here:

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What I've been doing since 1999

— August 15, 2015 (0 comments)
On Friday, the Torment team released the first Alpha Systems Test, a look at the opening scene of the game and its most essential systems (conversation, mostly).

Shortly after I tweeted that out, some folks wondered what I've been doing, game design-wise, since 1999 (other folks wondered what happened in 1999 which, you know, that's fair).

Here's a very brief look at what happened since:
  • 1999 -- Planescape: Torment was released to high critical acclaim (and low sales).
  • 2000 -- I got married and left my awesome-but-crunch-timey game dev job for what I commonly refer to as my Office Space job.
  • While I was at work (sometimes literally), I designed D&D campaigns and board games, drew crappy comic strips, wrote stories, and programmed games based on those stories.
  • 2003 -- I decided I wanted to actually finish something I started, so I put my other projects aside (fourth question down) and focused on writing a novel.
  • 2005 -- My wife and I moved to Thailand. I kept writing, but I could no longer pay attention to the game industry (among other things) as much as I used to.
  • 2006 -- We took in our first child, and over the next several years would increase our family to include ten children, both foster and natural. Meanwhile, I kept designing RPGs and board games (that never got played outside my house).
  • 2008 -- I sent my first novel to agents (and also started this blog).
  • 2010 -- I wrote a story that somebody actually paid me for.
  • 2011 -- I got an agent and began the search for a publisher (that search is still ongoing, though we've updated the novel it is going on for).
  • 2012 -- I started working for inXile and "researched" what the game industry had been up to since I left (read: I played games again and wrote them off for tax purposes).
  • 2013-2015 -- I wrote hundreds of thousands of words for game dialogue and systems design. I also wrote a novella, a Pathfinder story, and a number of other things I hope you'll get to read some day.

So there you go. That's what I've been doing instead of (or in addition to) designing games for the last 15 years. Hopefully that also explains why my tastes in games tend to skew oldschool.


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Wells' Lair on The Flash is Braille?

— August 06, 2015 (3 comments)
I don't actually watch The Flash (lack of time rather than inclination), but my sister pointed out to me that the secret lair of Harrison Wells is covered in bumps that look a lot like Braille.



But is it really Braille? And if so, is there some secret message hidden in the walls? Since this aligns with my interests (i.e. ciphers, linguistics, Braille), I decided to investigate. There are some answers on the internet, but not enough to satisfy me or my sister. I'm fixing that now.

First, a little Braille primer. The Braille alphabet encodes the 26 English letters into 2x3 grids of dots, like so:


Braille also encodes numbers, punctuation, and other formatting marks (like capital and italics) in that same 2x3 grid. However, the only markings on Wells' wall that fit any of those Braille markings are the letters n and z.

But Braille also has a cool and ridiculous number of shorthands and contractions. The dots on Wells' wall match these. Specifically, every 2x3 grid of dots on Wells' wall is one of these orientations, rotated either vertically or horizontally:



So the answer to our first question is yes, this is definitely Braille. I didn't see a single screenshot that showed any markings that broke the 2x3 grid pattern, nor that represented any word but those above.

But does it say anything? I'm gonna say no.



That conclusion does come with a few caveats though:
  1. I only know the basics of Braille. It may be that a fluent Braille reader would be able to see a pattern that I'm missing.
  2. Because the characters are rotated, it's hard to tell what orientation they are meant to be read in. I assumed a specific orientation and stuck with that for the image above.
  3. My translations assume English Braille. A lot of other languages use these grids for their own characters too (e.g. here are the Thai consonants).
With those caveats in mind, I would call this "decorative Braille." It's possible that there's a secret message hidden in some other language or character orientations, but I doubt it.

Even if there was, I'd never find it. You start doing this long enough and Wells' face starts to look like this:


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Classic RPGs Panel at PAX

— July 27, 2015 (6 comments)
Hey, all! If you're going to PAX Prime next month, I'll be on a panel there.

The panel is "CLASSIC RPGs FOREVER!" (yes, in all caps, apparently), and it'll be on Sunday, August 30th at 11 AM in the Sasquatch Theater.

We'll be talking about resurrecting subgenres of classic RPGs that were once thought dead. I'll be joining veteran game developers Annie Mitsoda, Josh Sawyer, Mitch Gitelman, and Swen Vincke, with Penny Arcade's Jeff Kalles moderating.

I'm super excited and super terrified. This will be the first time I've ever been on a panel (or even seen a panel, or gone to PAX, or gone to any convention of any kind). It'll be awesome to talk games with a bunch of developers I admire, but yeah, combine a thousand unknowns with enormous crowds with nigh-clinical introversion and you get something that's even scarier than what I already do all day.

But hey, I'll manage. I always do.

So if you're going to be at PAX, let me know! It's possible I might be able to do something about that information without crawling under my bed in terror.*

* That's a joke. My bed is a mattress on the floor. I can't crawl under there without straining something.**

** Unless I crawl under the bed at my hotel. Hm, there's an idea....

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Q: Big Pot Cooking Recipes?

— July 16, 2015 (2 comments)
Erik says:
You're a foster father of 10. Got any good big pot cooking recipes to share?

Actually, I do! Here are two of my favorites (my kids like them too, as it turns out).

Note that, as far as I'm concerned, cooking is essentially magic. So these numbers aren't exact (as evidenced by the ranges below). I usually try different amounts of things each time until I figure out what feels right. Tasting as you go also helps.


CASHEW CHICKEN (ไก่ผัดเม็ดมะม่วง)
Roast 1 1/4 cup of cashew nuts and 1 1/4 cup of chopped green onions (actually, I tend to fry these in oil nowadays, but you can do what you want). When they're nice and brown, take them out and set them aside.

In 2-3 Tbsp. of oil, fry 1 cup of dried chilis. When they get dark, take them out and set them aside. (IMPORTANT: Take them out before they start smoking, lest you fill your house with face-melting, eye-scalding chili smoke. My children hate me for the times I've done this. They still won't let me forget it.)

In the chili-infused oil, fry a bunch of garlic until it's brown, then add all of this stuff:
1 kg of chicken
1 green bell pepper
2 onions
1-2 big carrots
5 Tbsp. soy sauce
5 Tbsp. oyster sauce
5 tsp. sugar

Cook that for a few minutes, then add 1 cup of chicken broth. Cook it some more until it's done (see? magic).

Turn off the heat, and add the cashew nuts, green onions, and the fried chilis (the latter is optional -- most of my kids complain when I leave these in, so now I just put them in a separate dish for the spice-immune teenager).

Serve it on rice (we make 7-8 cups for our family). Feeds at least 12 people.


YELLOW CURRY (แกงกะหรี่)
I loved this stuff as a kid. It's even better now that I live in a country where the spices are native.

If you can get yellow (or Indian) curry paste, then use some of that with an appropriate amount of coconut milk (it'll probably say on the package what proportions to use).

If not, here's how I made my own curry sauce:
3-5 Tbsp yellow (or Indian) curry powder (sadly, if you can't get this, I don't think I can help you)
Lots of garlic (I put in like 10 cloves)
1-2 Tbsp red chili pepper
2-3 Tbsp ginger
2-3 tsp salt
1500 mL coconut milk


Pretty much just mix that in a pot, then throw this stuff in:
1.5 kg of chicken (or whatever meat you want, really)
4 big potatoes
2 big carrots
2 onions

Bring it to a boil, and then leave it on low heat for like 30-60 minutes. Serve it on rice (we make 7-8 cups for our family). Serves at least 12 people.


Anyone else have any good big pot cooking recipes to share? I only cook like four things. It wouldn't hurt to discover other options.

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Got a question? Ask me anything.


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